Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Epilogue

View through CrossRef
This epilogue reflects on what has changed and what has remained the same with respect to the LGBT landscape in post-Soviet Russia. It begins with a discussion of the death of Igor' Kon, an academic, public intellectual, and activist who played a key role in efforts to depathologize homosexuality in post-Soviet space. It then considers Russian politics and how Russian gay men have remained apolitical in their stances, along with their reactions to the Legislation against Gay Propaganda passed in 2013. It also examines the proliferation of websites addressed to gay and lesbian audiences and how the dramatic growth in internet accessibility has impacted homosexual men. Furthermore, it highlights the increase in sounds and images of some of Russia's popular music performers of (assumed) netraditsionnaia orientatsiia, as well as the ways in which they present the (homo)eroticized male body. The epilogue ends by focusing on Russian activists' campaign to have a gay parade celebrated in the country and suggests that popular music may be regarded as Russia's gay parade.
University of Illinois Press
Title: Epilogue
Description:
This epilogue reflects on what has changed and what has remained the same with respect to the LGBT landscape in post-Soviet Russia.
It begins with a discussion of the death of Igor' Kon, an academic, public intellectual, and activist who played a key role in efforts to depathologize homosexuality in post-Soviet space.
It then considers Russian politics and how Russian gay men have remained apolitical in their stances, along with their reactions to the Legislation against Gay Propaganda passed in 2013.
It also examines the proliferation of websites addressed to gay and lesbian audiences and how the dramatic growth in internet accessibility has impacted homosexual men.
Furthermore, it highlights the increase in sounds and images of some of Russia's popular music performers of (assumed) netraditsionnaia orientatsiia, as well as the ways in which they present the (homo)eroticized male body.
The epilogue ends by focusing on Russian activists' campaign to have a gay parade celebrated in the country and suggests that popular music may be regarded as Russia's gay parade.

Related Results

The Book of Ecclesiastes
The Book of Ecclesiastes
Ecclesiastes is one of the most fascinating — and hauntingly familiar — books of the Old Testament. The sentiments of the main speaker of the book, a person given the name Qohelet...
Epilogue
Epilogue
The Epilogue traces a shift in attitude towards anatomical modelling. In the mid-eighteenth century anatomical models had been praised for their capacity to defy time in the sense ...
Epilogue
Epilogue
The epilogue considers the mystery of Edith Swan and her wider significance. It begins by examining the press commentary on her and moves down into questions of motive and agency. ...
Epilogue
Epilogue
This epilogue outlines some of the long influences and ramifications of liberation theology in multiple social and intellectual movements. It highlights the recasting of the modern...
Epilogue
Epilogue
This epilogue examines how changes in child welfare policy were affected by the decline of the farm home as a symbol of American prosperity, the appropriate levels of work and educ...
Financial Folly and Spain’s Black Legend
Financial Folly and Spain’s Black Legend
This epilogue argues that Castile was solvent throughout Philip II's reign. A complex web of contractual obligations designed to ensure repayment governed the relationship between ...
Epilogue
Epilogue
The epilogue brings together all key points highlighted in the book, and delves into the latest developments between India, Pakistan and Afghanistan between late-2015 and in 2016....
Epilogue to an Epilogue
Epilogue to an Epilogue
This chapter provides a historical context for reenactment in contemporary dance in experiments in the 1980s with the reconstruction and reinvention of dance modernism and baroque ...

Back to Top