Javascript must be enabled to continue!
Symbolism in the works of art of jianzhi 剪纸 Jinzhou district
View through CrossRef
This article examines the symbolism contained in the works of Jianzhi art. As a simple folk art, papercutting in Jinzhou has its own aesthetic and educational style that penetrates the hearts of people and raises them to a higher spiritual level. Jianzhi can represent the spiritual worldview of a certain era in the region. Among the symbolic images, images of animals, plants, figures, objects, hieroglyphs and patterns were studied. Jianzhi's works of art are combinations of various patterns, shapes and motifs that contain deep symbolism. The study of images and symbolic meanings will expand knowledge about the culture and customs of the region, as well as create opportunities for the preservation of this unique art form containing the intangible cultural heritage of China. The article concludes about the uniqueness of the stylistics and symbolism of this art direction in the described region. It is claimed that Jianzhi's works reflect the culture, customs and peculiarities of the Jinzhou district society. From the point of view of intangible cultural heritage, the art of paper cutting in Jinzhou is the artistic embodiment of the material and spiritual culture of the people. It is concluded that it is necessary to preserve this kind of art and the subsequent study of its symbolism in order to preserve the intangible national heritage of China.
Title: Symbolism in the works of art of jianzhi 剪纸 Jinzhou district
Description:
This article examines the symbolism contained in the works of Jianzhi art.
As a simple folk art, papercutting in Jinzhou has its own aesthetic and educational style that penetrates the hearts of people and raises them to a higher spiritual level.
Jianzhi can represent the spiritual worldview of a certain era in the region.
Among the symbolic images, images of animals, plants, figures, objects, hieroglyphs and patterns were studied.
Jianzhi's works of art are combinations of various patterns, shapes and motifs that contain deep symbolism.
The study of images and symbolic meanings will expand knowledge about the culture and customs of the region, as well as create opportunities for the preservation of this unique art form containing the intangible cultural heritage of China.
The article concludes about the uniqueness of the stylistics and symbolism of this art direction in the described region.
It is claimed that Jianzhi's works reflect the culture, customs and peculiarities of the Jinzhou district society.
From the point of view of intangible cultural heritage, the art of paper cutting in Jinzhou is the artistic embodiment of the material and spiritual culture of the people.
It is concluded that it is necessary to preserve this kind of art and the subsequent study of its symbolism in order to preserve the intangible national heritage of China.
Related Results
The modern development of Jianzhi from Binzhou in Shandong Province (using the example of the work of Chinese master Lan Fumei)
The modern development of Jianzhi from Binzhou in Shandong Province (using the example of the work of Chinese master Lan Fumei)
Paper cutting is an important part of Chinese traditional culture, and the regional features of Chinese paper cutting are mainly reflected in the artistic traditions and paper cutt...
Ways to Preserve the Traditional Art of Jianzhi from Jinzhou in Modern China
Ways to Preserve the Traditional Art of Jianzhi from Jinzhou in Modern China
This article discusses the methods of preserving jianzhi art from Jinzhou. Among the ways to ensure this activity, traditional inheritance, museum business, school education, the u...
Jianzhi art in the works of Chinese artist Ku Shulan (analysis of the creative method on the example of the work "The Goddess of Paper Cutting")
Jianzhi art in the works of Chinese artist Ku Shulan (analysis of the creative method on the example of the work "The Goddess of Paper Cutting")
The subject of this article is the study of the work of the famous Chinese master of folk crafts Ku Shulan (1920-2004), which demonstrates the trends in the modern development of t...
Algae Diversity as Water Quality Indicator in the Main Water Sources, Nakhon Si Thammarat
Algae Diversity as Water Quality Indicator in the Main Water Sources, Nakhon Si Thammarat
The diversity of algae in the 8 main water sources in Nakhon Si Thammarat including rivers, canals, and water falls was studied in eight districts: Klongcry in Tha Sala District, P...
DAMPAK TEKNOLOGI TERHADAP PROSES BELAJAR MENGAJAR
DAMPAK TEKNOLOGI TERHADAP PROSES BELAJAR MENGAJAR
DAFTAR PUSTAKAAditama, M. H. R., & Selfiardy, S. (2022). Kehidupan Mahasiswa Kuliah Sambil Bekerja di Masa Pandemi Covid-19. Kidspedia: Jurnal Pendidikan Anak Usia Dini, 3(...
THE MEANING OF MANTRA IN THE RITUAL TEING HANG KOLANG IN A TRADITIONAL COMMUNITY CEREMONY IN TANGGE VILLAGE, LEMBOR DISTRICT, WEST MANGGARAI
THE MEANING OF MANTRA IN THE RITUAL TEING HANG KOLANG IN A TRADITIONAL COMMUNITY CEREMONY IN TANGGE VILLAGE, LEMBOR DISTRICT, WEST MANGGARAI
Teing Hang Kolang is commonly known in West Manggarai regency as one of the traditional rites of ancestral heritage since its existence in this world, which is as old as the belief...
Tendency and Causes Analysis of Marine Water Quality of Jinzhou Bay
Tendency and Causes Analysis of Marine Water Quality of Jinzhou Bay
Based on the two monitoring data of Jinzhou Bay in July 2008, September 2013 and September 2016, this article analysis the temporal trends of marine water quality of Jinzhou Bay. T...
Analysis of sediment variation trend and genesis in Jinzhou Port Sea area
Analysis of sediment variation trend and genesis in Jinzhou Port Sea area
Abstract
This paper collected the monitoring data of jinzhou sea in July 2008, September 2013 and September 2016, and analyzed in detail the variation trend of main ...

