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Envy, from "The Seven Deadly Sins"
View through The Met
Etching, The Seven Deadly Sins
The Seven Deadly Sins, Drawings and Prints, Metropolitan Museum of Art New York NY, The Elisha Whittelsey Collection The Elisha Whittelsey Fund 1949
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Avarice (Avaritia), from "The Seven Deadly Sins"
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Engraving; first state of two, The Seven Deadly Sins...
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Children, Hans: The seven deadly sins - jealousy. Illustration from the cycle “Marcel Marceau.” Tempera on cardboard; 70 x 49 cm. Dresden: copper engraving cabinet C 1979-120, BAE 484
Children, Hans: The seven deadly sins - jealousy. Illustration from the cycle “Marcel Marceau.” Tempera on cardboard; 70 x 49 cm. Dresden: copper engraving cabinet C 1979-120, BAE 484
Children, Hans: The seven deadly sins - jealousy. Illustration from the cycle “Marcel Marceau.” Tempera on cardboard; 70 x 49 cm. Dresden: copper engraving cabinet C 1979-120, BAE ...
Children, Hans: The seven deadly sins - falsehood. Illustration from the cycle “Marcel Marceau.” Tempera on hard fiber; 70 x 49 cm. Dresden: copper engraving cabinet C 1979-118, BAE 486
Children, Hans: The seven deadly sins - falsehood. Illustration from the cycle “Marcel Marceau.” Tempera on hard fiber; 70 x 49 cm. Dresden: copper engraving cabinet C 1979-118, BAE 486
Children, Hans: The seven deadly sins - falsehood. Illustration from the cycle “Marcel Marceau.” Tempera on hard fiber; 70 x 49 cm. Dresden: copper engraving cabinet C 1979-118, BA...
Children, Hans: The seven deadly sins - vanity. Illustration from the cycle “Marcel Marceau.” Tempera on hard fiber; 70 x 49 cm. Dresden: copper engraving cabinet C 1979-117, BAE 487
Children, Hans: The seven deadly sins - vanity. Illustration from the cycle “Marcel Marceau.” Tempera on hard fiber; 70 x 49 cm. Dresden: copper engraving cabinet C 1979-117, BAE 487
Children, Hans: The seven deadly sins - vanity. Illustration from the cycle “Marcel Marceau.” Tempera on hard fiber; 70 x 49 cm. Dresden: copper engraving cabinet C 1979-117, BAE 4...
Envy from Ovid's "House of Envy" (Book II, lines 760-796) (recto); A naked woman (verso)
Envy from Ovid's "House of Envy" (Book II, lines 760-796) (recto); A naked woman (verso)
Recto: pen and black ink brush and brown wash and watercolor over graphite
Verso: pen and brown ink and graphite...