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Josquin Desprez – Missa Pange Lingua
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The historical portion of this chapter presents material about Josquin’s artistic status during the Renaissance, including testimonies by Martin Luther, Hans Ott, and Heinrich Glareanus. Included also is an overview of Josquin’s Masses, with focus on his final Mass—the Missa Pange lingua, composed sometime after 1515 but not published until 1539, after Josquin’s death. However, numerous copies of the Mass existed during and shortly after Josquin’s lifetime. The analysis portion of the chapter discusses Josquin’s imitative technique, extensive use of ostinatos, and paraphrase of Gregorian chant. Performance practices include numbers, types, and placements of singers; meter, tactus, and tempo; text underlay; and musica ficta and music recta.
Title: Josquin Desprez – Missa Pange Lingua
Description:
The historical portion of this chapter presents material about Josquin’s artistic status during the Renaissance, including testimonies by Martin Luther, Hans Ott, and Heinrich Glareanus.
Included also is an overview of Josquin’s Masses, with focus on his final Mass—the Missa Pange lingua, composed sometime after 1515 but not published until 1539, after Josquin’s death.
However, numerous copies of the Mass existed during and shortly after Josquin’s lifetime.
The analysis portion of the chapter discusses Josquin’s imitative technique, extensive use of ostinatos, and paraphrase of Gregorian chant.
Performance practices include numbers, types, and placements of singers; meter, tactus, and tempo; text underlay; and musica ficta and music recta.
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