Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Il valore sociale per il restauro delle architetture liturgiche del Secondo Novecento: la Chiesa della Beata Maria Vergine a Larderello di Giovanni Michelucci e S. Maria della Libera di Aldo Loris Rossi /

View through CrossRef
Restoration of reinforced concrete churches constitutes a central challenge for the 21th  century architectural conservation, especially when dealing with works by renowned authors of the post-war period. These liturgical architectures not only reflect structural and formal experimentation but also embody significant social and spiritual dimensions. The sensitivity required in their restoration is largely shaped by the liturgical community’s perception of their cultural and architectural value. This paper examines two case studies to highlight the decisive role of community reception: the Church of Santa Maria della Libera e del Santissimo Redentore in Portici (Naples) by Aldo Loris Rossi, and the Church of the Beata Vergine Maria in Larderello (Pisa) by Giovanni Michelucci. In the former, community hostility has led to substantial transformations that altered the original design intent, while in the latter, recognition of the architectural and authorial value has fostered preservation-oriented approaches. Through this comparison, the study argues that the long-term sustainability of restoration strategies for twentieth-century reinforced concrete churches depends on balancing architectural authorship with community acceptance, thereby ensuring both cultural continuity and liturgical relevance.
Title: Il valore sociale per il restauro delle architetture liturgiche del Secondo Novecento: la Chiesa della Beata Maria Vergine a Larderello di Giovanni Michelucci e S. Maria della Libera di Aldo Loris Rossi /
Description:
Restoration of reinforced concrete churches constitutes a central challenge for the 21th  century architectural conservation, especially when dealing with works by renowned authors of the post-war period.
These liturgical architectures not only reflect structural and formal experimentation but also embody significant social and spiritual dimensions.
The sensitivity required in their restoration is largely shaped by the liturgical community’s perception of their cultural and architectural value.
This paper examines two case studies to highlight the decisive role of community reception: the Church of Santa Maria della Libera e del Santissimo Redentore in Portici (Naples) by Aldo Loris Rossi, and the Church of the Beata Vergine Maria in Larderello (Pisa) by Giovanni Michelucci.
In the former, community hostility has led to substantial transformations that altered the original design intent, while in the latter, recognition of the architectural and authorial value has fostered preservation-oriented approaches.
Through this comparison, the study argues that the long-term sustainability of restoration strategies for twentieth-century reinforced concrete churches depends on balancing architectural authorship with community acceptance, thereby ensuring both cultural continuity and liturgical relevance.

Related Results

Novedades sobre el enterramiento femenino de la Primera Edad del Hierro de Casa del Carpio (Belvís de la Jara, Toledo)
Novedades sobre el enterramiento femenino de la Primera Edad del Hierro de Casa del Carpio (Belvís de la Jara, Toledo)
Las características de la ubicación de la tumba de Casa del Carpio (Belvís de la Jara, Toledo), las circunstancias de su documentación, y lo excepcional del ajuar documentado han c...
Prawo kanoniczne a kultura prawna
Prawo kanoniczne a kultura prawna
Si presenta la versione polacca di una relazione tenuta nell’ambito dei seminari sul tema „Scienza giuridica e diritto canonico” al’Università di Torino 2. 5. 1990. Il testo origin...
Homenaje a Edgar Morin
Homenaje a Edgar Morin
La presentación del número 14/4 de nuestra Revista Boletín Redipe consta de 2 apartes: Palabras del pedagogo español Doctor José Manuel Touriñán durante la jornada de ceremonia en ...
Estetica del controllo e dell'assenza nel disastro del Vajont e nella Chiesa Monumentale di Santa Maria Immacolata di Giovanni Michelucci
Estetica del controllo e dell'assenza nel disastro del Vajont e nella Chiesa Monumentale di Santa Maria Immacolata di Giovanni Michelucci
Questo articolo esamina l'intersezione tra estetica, memoria e tecnopolitica attraverso un'analisi critica del disastro del Vajont e della Chiesa Monumentale di Santa Maria Immacol...
The design of the building envelope between innovation and experimentation
The design of the building envelope between innovation and experimentation
Peter Galison, philosopher of science, says that surfaces are not as we often describe them, that is, membranes that enclose spaces. The surfaces are active and highly structured p...

Back to Top