Javascript must be enabled to continue!
T. S. Eliot and Virginia Woolf: 1926-1929
View through CrossRef
The purpose of this paper is to explore, from the perspective of biographical criticism, the relationship between T. S. Eliot and Virginia Woolf during the years 1926-1929. Their consolidated literary friendship is further intensified through the publication of Woolf’s essay “On Being Ill” in the first number of The New Criterion edited by Eliot in January 1926. Additionally, Woolf’s share with her sister, Vanessa Bell, of the obituary of Eliot’s father-in-law in 1927, obviously brings to mind their intimate familial relationship. The editor Eliot’s share of Orlo Williams’s admiring review, published in The Monthly Criterion, of Woolf’s modernist novel To the Lighthouse (1927) in which she employs her “stream-of-consciousness” technique, definitely reveals the culmination of their literary friendship. Furthermore, Eliot’s interest in the reprinting of Woolf’s essay “Swift’s Journal to Stella” (1925) and her high evaluation of his poem “Fragment of an Agon” (1927) published in The New Criterion obviously underscore their reciprocal literary friendship. In 1929, Woolf’s highest acclamation of Eliot the poet as “a man of genius” who only emerges once in one century, definitely represents their amicable relationship, despite her sympathetic word “poor Tom” due to Vivien’s unhealthy condition.
Title: T. S. Eliot and Virginia Woolf: 1926-1929
Description:
The purpose of this paper is to explore, from the perspective of biographical criticism, the relationship between T.
S.
Eliot and Virginia Woolf during the years 1926-1929.
Their consolidated literary friendship is further intensified through the publication of Woolf’s essay “On Being Ill” in the first number of The New Criterion edited by Eliot in January 1926.
Additionally, Woolf’s share with her sister, Vanessa Bell, of the obituary of Eliot’s father-in-law in 1927, obviously brings to mind their intimate familial relationship.
The editor Eliot’s share of Orlo Williams’s admiring review, published in The Monthly Criterion, of Woolf’s modernist novel To the Lighthouse (1927) in which she employs her “stream-of-consciousness” technique, definitely reveals the culmination of their literary friendship.
Furthermore, Eliot’s interest in the reprinting of Woolf’s essay “Swift’s Journal to Stella” (1925) and her high evaluation of his poem “Fragment of an Agon” (1927) published in The New Criterion obviously underscore their reciprocal literary friendship.
In 1929, Woolf’s highest acclamation of Eliot the poet as “a man of genius” who only emerges once in one century, definitely represents their amicable relationship, despite her sympathetic word “poor Tom” due to Vivien’s unhealthy condition.
Related Results
Thinking Back through Virginia Woolf: Woolf as Portal in Lidia Yuknavitch’s The Small Backs of Children
Thinking Back through Virginia Woolf: Woolf as Portal in Lidia Yuknavitch’s The Small Backs of Children
“I am not Virginia Woolf,” a character exclaims in Lidia Yuknavitch’s award-winning novel The Small Backs of Children (2015). But who among us is? If we are women writers, particul...
Virginia Woolf: A Sound Investment
Virginia Woolf: A Sound Investment
On April 12, 1937 Virginia Woolf became a star. The occasion: her appearance on the cover of Time magazine; the impetus: the publication of her new novel, The Years. For the anon...
A Critical Heritage: Virginia Woolf, Leslie Stephen, and Walter Scott
A Critical Heritage: Virginia Woolf, Leslie Stephen, and Walter Scott
“Questions of affection are, of course, always disputable. I can only reiterate that while I would cheerfully become Shakespeare’s cat, Scott’s pig, or Keats’s canary […] I would n...
Virginia Woolf's Apprenticeship
Virginia Woolf's Apprenticeship
This study takes up Virginia Woolf’s challenge in ‘The Leaning Tower’ to probe the relationship between a writer’s education and that writer’s literary work, specifically Virginia ...
"Between two worlds become much like each other": Liminal spaces in the poetry of David Jones and T.S. Eliot
"Between two worlds become much like each other": Liminal spaces in the poetry of David Jones and T.S. Eliot
<p>T. S Eliot remains a literary giant close to fifty years after his death while David Jones, in contrast, is undeniably a marginal figure in the world of poetry but one who...
Introduction: Reading Virginia Woolf in the Anthropocene
Introduction: Reading Virginia Woolf in the Anthropocene
This introduction theorises what it means to read Virginia Woolf as a writer of the Anthropocene. It does so initially by situating Woolf within the early twentieth century’s growi...
Introduction: Virginia Woolf – Objects, Things, Matter
Introduction: Virginia Woolf – Objects, Things, Matter
The introduction opens with a brief interpretation of Virginia Woolf’s first short story, ‘The Mark on the Wall’ (1917), which positions Woolf’s investment in materiality as signif...
Virginia Woolf and Her Female Contemporaries
Virginia Woolf and Her Female Contemporaries
Virginia Woolf and Her Female Contemporaries seeks to contextualize Virginia Woolf’s writing alongside the work of other women writers during the first decades of the twentieth-cen...

