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Reverend L. C. Cure and His Pony
View through The Met
Albumen silver print from glass negative
Photographs, Metropolitan Museum of Art New York NY, Gift of Paul F. Walter in memory of Christopher Hemphill 1987
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Untitled (group portrait on grounds of Kennington Vicarage, August 21, 1869. Reverend F. M. Symonds, Miss Flora Wilson, Miss Ellen Lloyd, Mrs. Lloyd, Reverend H. R. Lloyd, Mrs. A.S. Longley, Reverend I. G. Lloyd, Miss Coffin, Mr. A.S. Longley, Miss Lloyd
Untitled (group portrait on grounds of Kennington Vicarage, August 21, 1869. Reverend F. M. Symonds, Miss Flora Wilson, Miss Ellen Lloyd, Mrs. Lloyd, Reverend H. R. Lloyd, Mrs. A.S. Longley, Reverend I. G. Lloyd, Miss Coffin, Mr. A.S. Longley, Miss Lloyd
Photograph information:
Recto
Group portrait on grounds of Kennington Vicarage, August 21, 1869. Reverend F. M. Symonds, Miss Flora Wilson, Miss Ellen Lloyd, Mrs. Lloyd, Rev...
Figur. Man till häst, Östra Handynastin.
Figur. Man till häst, Östra Handynastin.
FIGURE. Man to Horse. Roughly modelled of reddish-brown goods with greenish, flame glaze. Probably the figure is broken from a larger object. On the inside of the horse’s forelimb ...
Scene 32: Supporters of the league pursue the Blessed Abbot to Rome; despite their calumnies his innocence is recognized by the pope himself, who order Cardinal Bellarmine to restore all his posts and honors
Scene 32: Supporters of the league pursue the Blessed Abbot to Rome; despite their calumnies his innocence is recognized by the pope himself, who order Cardinal Bellarmine to restore all his posts and honors
Red chalk pen and brown ink brush and brown wash heightened with white over graphite, Scenes from the Life of the Reverend Jean de la Barrière...
Scene 25: Fatally wounded, King Henry III informs the Blessed Abbot of his condition and recommends himself to his prayers
Scene 25: Fatally wounded, King Henry III informs the Blessed Abbot of his condition and recommends himself to his prayers
Red chalk pen and brown ink brush and brown wash heightened with white over graphite, Scenes from the Life of the Reverend Jean de la Barrière...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...