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Reprises textuelles dans The Dew Breaker d’Edwidge Danticat
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In her recent novel, The Dew
Breaker (2004), Haitian-American writer Edwidge Danticat weaves
together the lives of her bruised Haitian characters and their
torturer, a former Tonton Macoute, all gone
into exile in the US. Seven of the nine chapters were previously
published as separate short stories and have been rearranged to form a
novel. The reader is then led to unravel a narrative tangle made of
many threads. The disparate nature of the book, its non-linear
narrative, the plurality of stories and voices, the gaps in a
fragmented, elliptic text all partake of an alternative approach to
creative writing. Like a seamstress, the novelist pieces together
individual stories, connecting them as the multifarious facets of a
great whole. In the wake of francophone Haitian writers (namely
Jacques Roumain, the author of Masters of the
Dew, or Jacques Stephen Alexis who wrote General Sun, My Brother), Edwidge Danticat
fictionalizes the traumatic history of a people confronted with
violence and terror and engages in a complex intertextual play.
Combining ethics and aesthetics, temporal and textual memory, the
novelist explores facts and, rather than give answers, raises
difficult questions. Her characters, whether victims or perpetrators,
all strive to free themselves from a haunting past : is it ever
possible to forgive so as to heal the pain ? Can one make amends for
the harm that has been done to victims who seek redress ?
Title: Reprises textuelles dans The Dew Breaker d’Edwidge Danticat
Description:
In her recent novel, The Dew
Breaker (2004), Haitian-American writer Edwidge Danticat weaves
together the lives of her bruised Haitian characters and their
torturer, a former Tonton Macoute, all gone
into exile in the US.
Seven of the nine chapters were previously
published as separate short stories and have been rearranged to form a
novel.
The reader is then led to unravel a narrative tangle made of
many threads.
The disparate nature of the book, its non-linear
narrative, the plurality of stories and voices, the gaps in a
fragmented, elliptic text all partake of an alternative approach to
creative writing.
Like a seamstress, the novelist pieces together
individual stories, connecting them as the multifarious facets of a
great whole.
In the wake of francophone Haitian writers (namely
Jacques Roumain, the author of Masters of the
Dew, or Jacques Stephen Alexis who wrote General Sun, My Brother), Edwidge Danticat
fictionalizes the traumatic history of a people confronted with
violence and terror and engages in a complex intertextual play.
Combining ethics and aesthetics, temporal and textual memory, the
novelist explores facts and, rather than give answers, raises
difficult questions.
Her characters, whether victims or perpetrators,
all strive to free themselves from a haunting past : is it ever
possible to forgive so as to heal the pain ? Can one make amends for
the harm that has been done to victims who seek redress ?.
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