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Das Erste Hoftheater in Dresden, Rückseite
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Dresden State Art Collections. Museum of Prints, Drawings and Photographs
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Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Ipermestra.” Dresden: Copper engraving
Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Ipermestra.” Dresden: Copper engraving
Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, s...
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabin
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabin
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in...
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca 103
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca 103
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the op...
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Ves...
Part of a set. Actor pattern (yakusha monyō 役者文様)/pattern with objects (kibutsu monyō 器物文様)/stripe pattern (shima monyō 縞文様): shikanjima 芝翫縞
Part of a set. Actor pattern (yakusha monyō 役者文様)/pattern with objects (kibutsu monyō 器物文様)/stripe pattern (shima monyō 縞文様): shikanjima 芝翫縞
Underground dyed Passover marks (hoshi P). Template damaged. Shikanjima ShiShi, also shikan tsunagi ShiShior shikan moyō Shi様: pattern of alternating “four (SHI Shi)” vertical line...
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with glasses), 1965 & Dresden. Lea Grundig accompanies the cosmonaut Leonow throu
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with glasses), 1965 & Dresden. Lea Grundig accompanies the cosmonaut Leonow throu
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with g...
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with glasses), 1965 & Dresden. Lea Grundig accompanies the cosmonaut Leonow throu
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with glasses), 1965 & Dresden. Lea Grundig accompanies the cosmonaut Leonow throu
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with g...
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with glasses), 1965 & Dresden. Lea Grundig accompanies the cosmonaut Leonow throu
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with glasses), 1965 & Dresden. Lea Grundig accompanies the cosmonaut Leonow throu
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with g...