NATIONAL COLOURING IN ROMANTICISM ON THE EXAMPLE OF LITERARY-CRITICAL STUDIES BY K. ZHUSSIP

Nowadays, the study of Romanticism as a significant phenomenon in literary studies is mainly focused on the investigation of its development under the influence of national characteristics. This research aims to identify the distinctive interpretations of romantic motifs in the works of Kazakh Romanticism poets. Specifically, the article provides an analysis of the development of romantic ideas using Kazakh romantic poetry of the 19th and 20th centuries as a case study, addressing the manifestation of Kazakh national characteristics rooted in Kazakh culture. By analysing the romantic works of Kazakh poets, the conceptual imagery of Romanticism is elucidated. Various research methods, including content analysis and semantic analysis of poetic texts, were used to demonstrate that Romanticism, as an emotional perception of the world and reality, transcends national boundaries. The study concludes that literary creativity is multifaceted, and linguistic analysis helps authors to effectively advocate Romanticism as a means of expressing national characteristics in literature, thereby contributing to the globalisation of cultural understanding. In addition, the study of the emergence of a new hero in romantic works, particularly in religious discourse, as exemplified by the literary-critical contributions of K. Zhussip, is identified as a promising avenue for future research. Keywords: Romanticism, national colouring, romantic hero, literary critical studies, images.