Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Sophocles’s Antigone on Slovenian Professional Stages

View through CrossRef
Sophocles’s Antigone has a rich and unique history of being performed on Slovenian professional stages for over a century. It began with the unsuccessful performance directed by Hinko Nučič in the Drama Ljubljana in 1912. It continued with Fran Lipah’s popular production in the same theatre on the eve of World War II. After the war, the Celje City Theatre took the lead in staging the tragedy; in fact, it was the only Slovenian professional theatre to stage it, first in 1956 (dir. Herbert Grün), then in 1973 (dir. Franci Križaj), and most recently in 2011 (dir. Anđelka Nikolić). The main reason for the odd absence of Sophocles’s Antigone on other Slovenian professional stages was probably the extraordinary popularity of Smole’s play by the same title, which was staged no less than eight times over this period. In addition, Sophocles was also ousted by the (rarer) staging of other modern Antigones (Dušan Jovanović, Miro Gavran, Janusz Głowacki). However, the last decade has seen revived interest in Sophocles’s version (and, at the same time, declining interest in staging Smole, which confirms our speculation that they compete for a place in the programme). Following the critically well-received production directed by A. Nikolić, the year 2013 was the first to see two productions, one in the Ljubljana City Theatre (play reading, dir. Ira Ratej) and the other in the Ljubljana Puppet Theatre (dir. Marko Čeh). Lastly, in 2017, Antigone also made a striking return to SNT Drama Ljubljana (dir. Eduard Miler). The article gives an overview of all these productions and evaluates them by drawing on their reception by contemporary critics and later theatre historians.
University of Ljubljana
Title: Sophocles’s Antigone on Slovenian Professional Stages
Description:
Sophocles’s Antigone has a rich and unique history of being performed on Slovenian professional stages for over a century.
It began with the unsuccessful performance directed by Hinko Nučič in the Drama Ljubljana in 1912.
It continued with Fran Lipah’s popular production in the same theatre on the eve of World War II.
After the war, the Celje City Theatre took the lead in staging the tragedy; in fact, it was the only Slovenian professional theatre to stage it, first in 1956 (dir.
Herbert Grün), then in 1973 (dir.
Franci Križaj), and most recently in 2011 (dir.
Anđelka Nikolić).
The main reason for the odd absence of Sophocles’s Antigone on other Slovenian professional stages was probably the extraordinary popularity of Smole’s play by the same title, which was staged no less than eight times over this period.
In addition, Sophocles was also ousted by the (rarer) staging of other modern Antigones (Dušan Jovanović, Miro Gavran, Janusz Głowacki).
However, the last decade has seen revived interest in Sophocles’s version (and, at the same time, declining interest in staging Smole, which confirms our speculation that they compete for a place in the programme).
Following the critically well-received production directed by A.
Nikolić, the year 2013 was the first to see two productions, one in the Ljubljana City Theatre (play reading, dir.
Ira Ratej) and the other in the Ljubljana Puppet Theatre (dir.
Marko Čeh).
Lastly, in 2017, Antigone also made a striking return to SNT Drama Ljubljana (dir.
Eduard Miler).
The article gives an overview of all these productions and evaluates them by drawing on their reception by contemporary critics and later theatre historians.

Related Results

Fascism on Stage: Jean Anouilh’s Antigone
Fascism on Stage: Jean Anouilh’s Antigone
Abstract This chapter analyses Jean Anouilh's Antigone and the controversy of the Nazi appropriation of Greek mythology. It uses the particular history of the play t...
Antigone and the Politics of Sisterhood
Antigone and the Politics of Sisterhood
Abstract This chapter examines why Antigone has proved so irresistible to feminist political theory and in particular the political theory of the family. Feminists h...
Antigone, Interrupted
Antigone, Interrupted
Sophocles' Antigone is a touchstone in democratic, feminist and legal theory, and possibly the most commented upon play in the history of philosophy and political theory. Bonnie Ho...
Antigone (5th centurybce)
Antigone (5th centurybce)
AbstractIn Sophocles’ famous tragedy,Antigone, the heroine mourns the loss of her brother, Polynices, and buries him although this violates the edict of Creon, her uncle and new ru...
Sophocles’ Antigone and Chinese Opera (xiqu): a discussion of hybridized and indigenized adaptations
Sophocles’ Antigone and Chinese Opera (xiqu): a discussion of hybridized and indigenized adaptations
Abstract Sophocles’ Antigone has been the subject of numerous adaptations. Among these are two xiqu (Chinese opera) adaptations of Antigone, Hebei bangzi (Hebei clap...
Creation and Decreation in Tacita Dean's Antigone
Creation and Decreation in Tacita Dean's Antigone
Abstract “Creation and Decreation in Tacita Dean's Antigone” explores Dean's major film of 2018, Antigone, in relation to themes of world-making and “decreation.” Si...
Interrogating Antigone in Postmodern Philosophy and Criticism
Interrogating Antigone in Postmodern Philosophy and Criticism
Abstract With the increasing artistic and scholarly interest in Sophocles' Antigones in the twenty‐first century, this collection of chapters tackles the difficult q...
The Antigone's Law
The Antigone's Law
Philippe Nonet offers an original interpretation of Sophocles' Antigone and through it a powerful rethinking of law as eternal and unchanging, and as binding gods as well as men. E...

Back to Top