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Modern Piracy
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Until rather recently, piracy as a form of seaborne organized crime seemed to be a phenomenon of the past—something that was relegated to a great number of books, some comics, and, of course, the silver screen: many Hollywood blockbusters revolve around pirates as larger-than-life swashbuckling characters, played for example by Douglas Fairbanks (The Black Pirate, 1926), Errol Flynn (Captain Blood, 1935), Yul Brynner (The Buccaneer, 1958), or Johnny Depp (Pirates of the Caribbean franchise, 2003 onward). Even the Muppets had a (comedy) go at pirates with Muppets Treasure Island (1996). That “real” pirates still exist and pose a formidable danger to seafarers at least in some parts of the world was known only to a small group of people outside the mariner community such as legal experts and some scholars, mainly from history departments. This blissful ignorance was swept away by the advent of Somali piracy between 2005 and 2008: suddenly, “real” pirates made headlines again, sparking a renewed interest in all things pirate, modern or not. It also resulted in a wave of publications focusing on modern pirates, trying to make sense out of why this age-old menace had returned with a vengeance. Even for specialists, this burgeoning literature, ranging from books aimed at the wider public and offering general overviews to very specialized research articles appealing to equally specialized audiences, it is difficult to keep track. This bibliography aims at referencing the leading works, in order to offer the reader a quick access to the vast repository of knowledge which is nowadays available. It will commence with general overviews, to then move to the most dangerous regional hot-spots of current piracy, which are West Africa (Gulf of Guinea), East Africa (Gulf of Aden and Somali Basin), and Southeast Asia (Straits of Malacca and Singapore plus South China Sea). Also, some secondary hot spots such as the Persian/Arabian Gulf and the Sundarbans at the bottom of the Bay of Bengal are referenced as well, although not much has been written about these manifestations of piracy. This is followed by works on root causes (why do people become pirates in modern times?), and works on modern pirates’ modus operandi, in particular their weapons and tactics (what do modern pirates do?). Finally, the focus will shift from piracy to counter-piracy at sea, on land, and at court—the latter part also including publications dealing with legal definitions of piracy such as included in the United Nations Law of the Sea Convention (LoSC). As regards the nature of the sources referenced, it should be noted that in order to reach out to a wide range of audiences, not only academic and scholarly publications are included, but also publications with a more journalistic approach that aim at the general public. Furthermore, great care was taken to include publications which are easily accessible—also for the benefit of a wider audience.
Title: Modern Piracy
Description:
Until rather recently, piracy as a form of seaborne organized crime seemed to be a phenomenon of the past—something that was relegated to a great number of books, some comics, and, of course, the silver screen: many Hollywood blockbusters revolve around pirates as larger-than-life swashbuckling characters, played for example by Douglas Fairbanks (The Black Pirate, 1926), Errol Flynn (Captain Blood, 1935), Yul Brynner (The Buccaneer, 1958), or Johnny Depp (Pirates of the Caribbean franchise, 2003 onward).
Even the Muppets had a (comedy) go at pirates with Muppets Treasure Island (1996).
That “real” pirates still exist and pose a formidable danger to seafarers at least in some parts of the world was known only to a small group of people outside the mariner community such as legal experts and some scholars, mainly from history departments.
This blissful ignorance was swept away by the advent of Somali piracy between 2005 and 2008: suddenly, “real” pirates made headlines again, sparking a renewed interest in all things pirate, modern or not.
It also resulted in a wave of publications focusing on modern pirates, trying to make sense out of why this age-old menace had returned with a vengeance.
Even for specialists, this burgeoning literature, ranging from books aimed at the wider public and offering general overviews to very specialized research articles appealing to equally specialized audiences, it is difficult to keep track.
This bibliography aims at referencing the leading works, in order to offer the reader a quick access to the vast repository of knowledge which is nowadays available.
It will commence with general overviews, to then move to the most dangerous regional hot-spots of current piracy, which are West Africa (Gulf of Guinea), East Africa (Gulf of Aden and Somali Basin), and Southeast Asia (Straits of Malacca and Singapore plus South China Sea).
Also, some secondary hot spots such as the Persian/Arabian Gulf and the Sundarbans at the bottom of the Bay of Bengal are referenced as well, although not much has been written about these manifestations of piracy.
This is followed by works on root causes (why do people become pirates in modern times?), and works on modern pirates’ modus operandi, in particular their weapons and tactics (what do modern pirates do?).
Finally, the focus will shift from piracy to counter-piracy at sea, on land, and at court—the latter part also including publications dealing with legal definitions of piracy such as included in the United Nations Law of the Sea Convention (LoSC).
As regards the nature of the sources referenced, it should be noted that in order to reach out to a wide range of audiences, not only academic and scholarly publications are included, but also publications with a more journalistic approach that aim at the general public.
Furthermore, great care was taken to include publications which are easily accessible—also for the benefit of a wider audience.
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The Question of Pirate Trials in States Without a Crime of Piracy
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Abstract
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Software Piracy Protection
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Factors motivating people toward pirated software
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Software Piracy in Nigeria
Software Piracy in Nigeria
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Examining Determinants of Movie Piracy Behavior in Indonesian Young Adults
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Movie piracy is prevalent and has harmed the industry significantly. Despite the government’s efforts to prohibit unlicensed movie websites, the current data indicate an increase i...
Asian Piracy
Asian Piracy
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Perlindungan Hukum Pemegang Hak Cipta Terhadap Pembajakan Potongan Film Pada Aplikasi Tiktok
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Film piracy has now penetrated into the TikTok application. The need for protection of copyright holders against acts of copyright infringement, especially film piracy. This explan...
Operational Decision Making Around Movie Piracy and Theatrical Release: A Structural Model of Movie Piracy vs. Legal (in-Theater) Consumption
Operational Decision Making Around Movie Piracy and Theatrical Release: A Structural Model of Movie Piracy vs. Legal (in-Theater) Consumption
Problem definition: We examine moviegoers’ choices between consuming content via legal theatrical channels and illegal piracy channels. We focus on how two important factors affect...

