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Pen Box with Shaykh San`an and the Christian Maiden
View through Harvard Museums
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format and divided into three sections separated by elaborate gold scrollwork and arabesque designs. The central section illustrates a tale recounted in Farid al-Din `Attar’s Manṭiq al-ṭayr (Conference of the Birds), in which Shaykh San`an kneels before the Christian Maiden, who offers him wine. The sections to the left and right feature scenes of a teacher with his students.
The sides of the cover are similarly divided by gold scrollwork and arabesque designs that enclose illustrations from Persian literature. The scenes on the front and back reference the famous tarji’-band by Hatif of Isfahan. The vignettes on the ends represent Shirin visiting Farhad at Mount Bisutun, and Khusraw spying Shirin at her bath. The base of the cover and sides of the drawer are decorated with flowers and female portrait busts of women.
Department of Islamic & Later Indian Art
Ezzat-Malek Soudavar Geneva Switzerland (by 2014) by descent; to her son Abolala Soudavar Houston Texas (2014) gift; to Harvard Art Museums 2014.
Note:
Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Harvard Art Museums/Arthur M. Sackler Museum Gift of A. Soudavar in memory of his mother Ezzat-Malek Soudavar
Title: Pen Box with Shaykh San`an and the Christian Maiden
Description:
Cover and sliding compartment with rounded ends.
The top is decorated in horizontal format and divided into three sections separated by elaborate gold scrollwork and arabesque designs.
The central section illustrates a tale recounted in Farid al-Din `Attar’s Manṭiq al-ṭayr (Conference of the Birds), in which Shaykh San`an kneels before the Christian Maiden, who offers him wine.
The sections to the left and right feature scenes of a teacher with his students.
The sides of the cover are similarly divided by gold scrollwork and arabesque designs that enclose illustrations from Persian literature.
The scenes on the front and back reference the famous tarji’-band by Hatif of Isfahan.
The vignettes on the ends represent Shirin visiting Farhad at Mount Bisutun, and Khusraw spying Shirin at her bath.
The base of the cover and sides of the drawer are decorated with flowers and female portrait busts of women.
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