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Equestrian Portrait of Raja Karan Singh of Bikaner

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This fragmentary drawing portrays Raja Karan Singh of Bikaner (r. 1631–69) on horseback. Shown in profile, the ruler wears an elaborate turban and gem-studded jewelry. Detailed brushwork and shading give a sense of volume to the bodies of horse and rider; the animal’s galloping stance and the flying bands of the raja’s clothing create the impression of lively motion. Because Raja Karan Singh was alternately an ally and a foe of Mughal emperor Aurangzeb (r. 1658–1707), this portrait, like other art produced in Bikaner during his reign, merges local artistic traditions with Mughal idioms, reflecting both the self-identity of the house of Bikaner and its complex relations with the Mughals.
Department of Islamic & Later Indian Art Stanford and Norma Jean Calderwood Belmont MA (by 1992-2002) gift; to Harvard Art Museums 2002. Harvard Art Museums/Arthur M. Sackler Museum The Norma Jean Calderwood Collection of Islamic Art
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Title: Equestrian Portrait of Raja Karan Singh of Bikaner
Description:
This fragmentary drawing portrays Raja Karan Singh of Bikaner (r.
1631–69) on horseback.
Shown in profile, the ruler wears an elaborate turban and gem-studded jewelry.
Detailed brushwork and shading give a sense of volume to the bodies of horse and rider; the animal’s galloping stance and the flying bands of the raja’s clothing create the impression of lively motion.
Because Raja Karan Singh was alternately an ally and a foe of Mughal emperor Aurangzeb (r.
1658–1707), this portrait, like other art produced in Bikaner during his reign, merges local artistic traditions with Mughal idioms, reflecting both the self-identity of the house of Bikaner and its complex relations with the Mughals.

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