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Equestrian Portrait of Raja Karan Singh of Bikaner
View through Harvard Museums
This fragmentary drawing portrays Raja Karan Singh of Bikaner (r. 1631–69) on horseback. Shown in profile, the ruler wears an elaborate turban and gem-studded jewelry. Detailed brushwork and shading give a sense of volume to the bodies of horse and rider; the animal’s galloping stance and the flying bands of the raja’s clothing create the impression of lively motion. Because Raja Karan Singh was alternately an ally and a foe of Mughal emperor Aurangzeb (r. 1658–1707), this portrait, like other art produced in Bikaner during his reign, merges local artistic traditions with Mughal idioms, reflecting both the self-identity of the house of Bikaner and its complex relations with the Mughals.
Department of Islamic & Later Indian Art
Stanford and Norma Jean Calderwood Belmont MA (by 1992-2002) gift; to Harvard Art Museums 2002.
Harvard Art Museums/Arthur M. Sackler Museum The Norma Jean Calderwood Collection of Islamic Art
Title: Equestrian Portrait of Raja Karan Singh of Bikaner
Description:
This fragmentary drawing portrays Raja Karan Singh of Bikaner (r.
1631–69) on horseback.
Shown in profile, the ruler wears an elaborate turban and gem-studded jewelry.
Detailed brushwork and shading give a sense of volume to the bodies of horse and rider; the animal’s galloping stance and the flying bands of the raja’s clothing create the impression of lively motion.
Because Raja Karan Singh was alternately an ally and a foe of Mughal emperor Aurangzeb (r.
1658–1707), this portrait, like other art produced in Bikaner during his reign, merges local artistic traditions with Mughal idioms, reflecting both the self-identity of the house of Bikaner and its complex relations with the Mughals.
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