The creative home decorator

This chapter analyzes Sarah Bernhardt at Home to show how Sarah Bernhardt, by exploring the different spaces that together represent “the home,” reveals her home's expansive horizo...

The combined experience of authors throughout the ages offers a wealth of valuable information about the practice of writing. However, such lore can also be problematic for student...

Comfort, both physical and affective, is a key aspect in our conceptualization of the home as a place of emotional attachment, yet its study remains under-developed in the context ...

Thoughts and feelings about home traditionally provided people of all cultures with a firm sense of where they belonged, and why. But the world is rapidly changing: populations are...

In this chapter, the global creative economy discursive regime is shown to be a spatially-differentiated and power-laden practice. Analyzing the ways in which heritage, creative ec...

Romanticized notions of how one becomes an “artist” have long been questioned, so why do we still fetishize them in popular culture, turning a blind eye to the politics of exclusio...

This chapter asks whether another creative economy is possible—one that negotiates and goes beyond the terms of hegemonic neoliberal and Hindu constructions of creative economy. It...

Illustration is a diverse and constantly evolving area of art and design and an appealing creative career. But to stand out from the crowd, successful illustrators need to combine ...