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Sarah Bernhardt at Home
Sarah Bernhardt at Home
This chapter analyzes Sarah Bernhardt at Home to show how Sarah Bernhardt, by exploring the different spaces that together represent “the home,” reveals her home's expansive horizo...
The Place and the Writer
The Place and the Writer
The combined experience of authors throughout the ages offers a wealth of valuable information about the practice of writing. However, such lore can also be problematic for student...
The Comforts of Home in Western Europe
The Comforts of Home in Western Europe
Comfort, both physical and affective, is a key aspect in our conceptualization of the home as a place of emotional attachment, yet its study remains under-developed in the context ...
Lu Xun, Returning Home, and May Fourth Modernity
Lu Xun, Returning Home, and May Fourth Modernity
Leaving home was the quintessential modern act for Chinese intellectuals in the early twentieth century, as home had come to represent cultural backwardness and oppression by the e...
Ordinary Violence and Creative Economy
Ordinary Violence and Creative Economy
In this chapter, the global creative economy discursive regime is shown to be a spatially-differentiated and power-laden practice. Analyzing the ways in which heritage, creative ec...
Another Creative Economy?
Another Creative Economy?
This chapter asks whether another creative economy is possible—one that negotiates and goes beyond the terms of hegemonic neoliberal and Hindu constructions of creative economy. It...
Leaving Home
Leaving Home
In the past, the tasks of establishing psychological and practical independence were linked in time. Today, these transitions are no longer successively manageable sequences; rathe...
Impressionism
Impressionism
Jessica Sarah Gunderson, Impressionism (Art), 2009, Creative Company, The...


