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Roberto Gerhard

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Re-Appraising a Musical Visionary in Exile marks the 125th anniversary of Roberto Gerhard’s birth in 1896. As one of the most prominent Spanish composers of the 20th Century, Gerhard’s life and oeuvre is viewed through the lens of the Spanish Civil War, exile, and cultural translation. To understand how the wider political and cultural events taking place in Spain during the 1930s and the subsequent Franco Regime shaped Gerhard’s thinking, work, and compositional aesthetic, the book contains a number of chapters that discuss the experiences and legacies of exiled cultural producers from Spain during this period as well as the notions of national identity that arose both within Spain and those exiled. Although Gerhard was not overtly political, several his works from his exile in England from 1939 are explored in terms of suggested hidden narratives that are both autobiographical and explicative of his Republican sympathies against the Franco regime. Such narratives are often revealed through the use of Catalan and Spanish folk song. How such narratives are reconciled within Gerhard’s increasingly Modernist aesthetic are explored alongside the composer’s work with the BBC and other cultural organisations, situating these in a post-war geopolitical perspective. Through these different threads, a new and more nuanced understanding of Gerhard and the political and cultural milieu that influenced his work is put forward.
British Academy
Title: Roberto Gerhard
Description:
Re-Appraising a Musical Visionary in Exile marks the 125th anniversary of Roberto Gerhard’s birth in 1896.
As one of the most prominent Spanish composers of the 20th Century, Gerhard’s life and oeuvre is viewed through the lens of the Spanish Civil War, exile, and cultural translation.
To understand how the wider political and cultural events taking place in Spain during the 1930s and the subsequent Franco Regime shaped Gerhard’s thinking, work, and compositional aesthetic, the book contains a number of chapters that discuss the experiences and legacies of exiled cultural producers from Spain during this period as well as the notions of national identity that arose both within Spain and those exiled.
Although Gerhard was not overtly political, several his works from his exile in England from 1939 are explored in terms of suggested hidden narratives that are both autobiographical and explicative of his Republican sympathies against the Franco regime.
Such narratives are often revealed through the use of Catalan and Spanish folk song.
How such narratives are reconciled within Gerhard’s increasingly Modernist aesthetic are explored alongside the composer’s work with the BBC and other cultural organisations, situating these in a post-war geopolitical perspective.
Through these different threads, a new and more nuanced understanding of Gerhard and the political and cultural milieu that influenced his work is put forward.

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Gerhard as Composer in Exile
Gerhard as Composer in Exile
Roberto Gerhard’s early works reflect an advanced synthesis of Catalan elements and modern music, utilizing obvious markers of Catalan national identity; however, in 1939, because ...
Memoir of the Spanish Civil War: A Political Reading of Roberto Gerhard’s Ballet Pandora
Memoir of the Spanish Civil War: A Political Reading of Roberto Gerhard’s Ballet Pandora
‘Pandora […] evoked affairs of our country’ wrote Roberto Gerhard (1896–1970) about his ballet Pandora (1943–50). But how does Pandora evoke Gerhard’s perception of the political s...
Roberto Gerhard’s First Decade of Exile (1939–1949): Rootlessness and Survival
Roberto Gerhard’s First Decade of Exile (1939–1949): Rootlessness and Survival
Gerhard’s first decade of exile was a hard period in his life. It was full of economic difficulties, health problems, and feelings of isolation and rootlessness. Nevertheless, he k...
‘Staple of the Contemporary Music Scene’: Roberto Gerhard in Geopolitical Perspective
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This chapter explores how the development of Gerhard’s career and conceptualization of the social role of music in mid-century post-Second World War Britain was shaped by Cold War ...
Rezension von: Ammerer, Gerhard; Fritz, Gerhard (Hrsg.), Die Gesellschaft der Nichtsesshaften
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Gerhard Ammerer / Gerhard Fritz (Hg.), Die Gesellschaft der Nichtsesshaften, Zur Lebenswelt vagierender Schichten vom 16. bis zum 19. Jahrhundert, Affalterbach: Didymos-Verlag 2013...
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The Musical Aesthetic of Robert Gerhard (1914–1938)
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Starting from the premise that music reflects the society in which it is composed and performed, this chapter examines the shifts in Gerhard’s musical aesthetics regarding folk mus...
Roberto Gerhard’s Cantares : Seven Songs of Absence … and a Presence
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Far from being a minor work, the collection of popular melodies Cantares, composed by Roberto Gerhard between 1956 and 1957, constitutes an interesting case study that raises impor...

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