Javascript must be enabled to continue!
Taira no Tadamori Captures the Priest of Midō Temple
View through Harvard Museums
This woodblock printed triptych by Kobayashi Kiyochika illustrates a famous rainy-night encounter between the warrior Taira no Tadamori (1096-1153) and an old priest on the grounds of Midō Temple in Kyoto. The tripartite scene may be "read" from right to left. The first print (at the far right) depicts a scene of sturdy tree trunks in a mist-enshrouded grove juxtaposed with a row of Buddhist stone lanterns that recede into the distance; the faint light emitted by the lanterns reflects brightly against dark, watery puddles on the ground. The center panel of the triptych focuses on a figure of an old man, hunched over and holding a small torch and oil pot as he makes his way through the cluster of trees. The man's pale, bony legs, ragged clothes, wrinkled face, and eccentric headdress made of straw give him a startling, almost ghoulish appearance. The third print (at the far left) portrays a heroic warrior in informal garb, standing at attention between two lanterns, his gaze fixed squarely on the strange figure approaching him, his hands poised as if ready to snatch his swords from their scabbards at any moment. Although each of the three individual prints bears a composition that can easily stand alone, when placed together they create a panoramic scene that dramatically conveys a narrative based on an episode in the life of Taira no Tadamori. A prominent member of the Taira clan of samurai, Tadamori served the retired Heian-period Emperor Shirakawa (1053-1129; r. 1073-1087). According to legend, one rainy night the emperor set out to visit his favorite concubine in the Gion district of Kyoto and asked Tadamori to accompany him. On the way there, they walked through a grove near Midō Temple when they came across a strange, ghostlike figure emanating a flickering light. Startled, the emperor commanded Tadamori to subdue the ghostly demon. Tadamori courageously resolved to capture the thing alive, but fortunately realized before it was too late that the "ghost" was in fact a temple priest wearing a protective rain hat made of straw and carrying a small torch and oil to replenish the lanterns on the temple grounds. For his bravery, Tadamori was said to have been rewarded with the emperor's own concubine.
Department of Asian Art
[Israel Goldman--Japanese Prints London (1995-2000)] sold; to Dr. and Mrs. Neil Swinton Newton Mass. 2000 gift; to Harvard Art Museums 2010.
NOTE: Created in Japan in the fourth quarter of the 19th century (i.e. 1883-84). In three successive London collections from the early twentieth century until its acquisition by Israel Goldman (i.e. Israel Goldman--Japanese Prints London) in 1995.
Harvard Art Museums/Arthur M. Sackler Museum Gift of Elizabeth and Neil Swinton in honor of Sylvan Barnet and William Burto
Title: Taira no Tadamori Captures the Priest of Midō Temple
Description:
This woodblock printed triptych by Kobayashi Kiyochika illustrates a famous rainy-night encounter between the warrior Taira no Tadamori (1096-1153) and an old priest on the grounds of Midō Temple in Kyoto.
The tripartite scene may be "read" from right to left.
The first print (at the far right) depicts a scene of sturdy tree trunks in a mist-enshrouded grove juxtaposed with a row of Buddhist stone lanterns that recede into the distance; the faint light emitted by the lanterns reflects brightly against dark, watery puddles on the ground.
The center panel of the triptych focuses on a figure of an old man, hunched over and holding a small torch and oil pot as he makes his way through the cluster of trees.
The man's pale, bony legs, ragged clothes, wrinkled face, and eccentric headdress made of straw give him a startling, almost ghoulish appearance.
The third print (at the far left) portrays a heroic warrior in informal garb, standing at attention between two lanterns, his gaze fixed squarely on the strange figure approaching him, his hands poised as if ready to snatch his swords from their scabbards at any moment.
Although each of the three individual prints bears a composition that can easily stand alone, when placed together they create a panoramic scene that dramatically conveys a narrative based on an episode in the life of Taira no Tadamori.
A prominent member of the Taira clan of samurai, Tadamori served the retired Heian-period Emperor Shirakawa (1053-1129; r.
1073-1087).
According to legend, one rainy night the emperor set out to visit his favorite concubine in the Gion district of Kyoto and asked Tadamori to accompany him.
On the way there, they walked through a grove near Midō Temple when they came across a strange, ghostlike figure emanating a flickering light.
Startled, the emperor commanded Tadamori to subdue the ghostly demon.
Tadamori courageously resolved to capture the thing alive, but fortunately realized before it was too late that the "ghost" was in fact a temple priest wearing a protective rain hat made of straw and carrying a small torch and oil to replenish the lanterns on the temple grounds.
For his bravery, Tadamori was said to have been rewarded with the emperor's own concubine.
Related Results
figur, skulptur, sculpture
figur, skulptur, sculpture
Function: Statue of Vajrapani, a major Mahayana Bodhisattva, to be placed in a temple hall, preferably at its entrance since he is variously fierce and compassionate. He appears a...
A Jesuit priest with a book, folio from the Salim Album
A Jesuit priest with a book, folio from the Salim Album
A Jesuit priest, folio from the Salim Album.
The Jesuit order first came to the Mughal court in 1580, and remained a longterm presence in India. This priest holds open his book, ...
Triptych, painted epitaph
Triptych, painted epitaph
A wooden polychrome triptych consisting of three panels hinged together with painted scenes. Assembled after 1611. When closed the triptych shows a scene of a priest kneeling at pr...
Antichità Romane de' Tempi della Repubblica e de' primi Imperatori
Antichità Romane de' Tempi della Repubblica e de' primi Imperatori
Includes the following plates in this order:
Title Plate (Wilton-Ely 103)
pl. 2 Dedication to Giovanni Bottari (W-E 104)
pl. 3 Transcription of various ancient Latin inscripti...
Battle of Rokuhara in the Hōgen/Heiji period
Battle of Rokuhara in the Hōgen/Heiji period
Middle part of the triptych (cf. KI 11385-1 + KI 11385-3) Shunteiga mittlermittlerHōgen period: 1156-1159, Heiji period: 1159-1160. The Battle of Rokuhara was one of the most impor...
Battle of Rokuhara in the Hōgen/Heiji period
Battle of Rokuhara in the Hōgen/Heiji period
Left part of the triptych (cf. KI 11385-2 + KI 11385-3) Shunteiga linlinHōgen period: 1156-1159, Heiji period: 1159-1160. The Battle of Rokuhara was one of the most important battl...
Jejuri Mahoba Temple, Jejuri, Maharashtra, India
Jejuri Mahoba Temple, Jejuri, Maharashtra, India
The photograph is 15 by 15 inches and the image fills the entire sheet. The photograph is a Chromogenic Dye Coupler Dye Print. The subject of the photograph is the interior of a ...
figur, skulptur, sculpture
figur, skulptur, sculpture
God image. Temple figure (arca lingga or pratima) of cut wood.
The sculpture, according to the catalogue general, depicts a Prabu from gambuh. The sculpture comes, according to th...


