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The Peaceful Kingdom of Isaiah in Late Antique Mosaic Pavements of Cilician and Isaurian Church Buildings

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This article examines a topic that has been only partially investigated to date, namely that of the iconic depiction of the so-called “Peaceful Kingdom of Isaiah” on mosaics located in late antique church buildings in the region of Cilicia (southeastern modern Turkey). These mosaics are sometimes accompanied by the verse of Isaiah 11:6 or 65:25. Many of these Cilician mosaics lie in a state of neglect or have suffered great damage in recent years. Referring, therefore, to the excavation reports and to personal observations, I attempt a reconstruction of the iconography and of the mosaics’ locations within their respective Christian buildings, where possible. Starting with a short introduction on the meaning of the “Peaceful Kingdom” as described in Isaiah 11:6 and 65:25, the article presents a detailed analysis of the Cilician/Isaurian case studies. Similar examples from neighbouring regions in the East and the only identifiable case study in the West (Corsica) are also briefly discussed. Next, possible archetypes from which the representation of animals might have originated and influenced the origin of the “Peaceful Kingdom” motif are considered. In conclusion, after briefly outlining the different interpretations given by scholars on the meaning of the “Peaceful Kingdom” mosaics, an attempt will be made to interpret the Cilician case studies in light of a combined analysis both of positioning within the building and liturgical use.
Title: The Peaceful Kingdom of Isaiah in Late Antique Mosaic Pavements of Cilician and Isaurian Church Buildings
Description:
This article examines a topic that has been only partially investigated to date, namely that of the iconic depiction of the so-called “Peaceful Kingdom of Isaiah” on mosaics located in late antique church buildings in the region of Cilicia (southeastern modern Turkey).
These mosaics are sometimes accompanied by the verse of Isaiah 11:6 or 65:25.
Many of these Cilician mosaics lie in a state of neglect or have suffered great damage in recent years.
Referring, therefore, to the excavation reports and to personal observations, I attempt a reconstruction of the iconography and of the mosaics’ locations within their respective Christian buildings, where possible.
Starting with a short introduction on the meaning of the “Peaceful Kingdom” as described in Isaiah 11:6 and 65:25, the article presents a detailed analysis of the Cilician/Isaurian case studies.
Similar examples from neighbouring regions in the East and the only identifiable case study in the West (Corsica) are also briefly discussed.
Next, possible archetypes from which the representation of animals might have originated and influenced the origin of the “Peaceful Kingdom” motif are considered.
In conclusion, after briefly outlining the different interpretations given by scholars on the meaning of the “Peaceful Kingdom” mosaics, an attempt will be made to interpret the Cilician case studies in light of a combined analysis both of positioning within the building and liturgical use.

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