Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
In the Presence of Amanzor, Gonzalo Gustos Identifies the Severed Heads of his Sons
View through Harvard Museums
Department of Prints
Harvard Art Museums/Fogg Museum Gift of Mr. and Mrs. William N. Bullard by exchange
Title: In the Presence of Amanzor, Gonzalo Gustos Identifies the Severed Heads of his Sons
Description not available.
Related Results
Tirthankara Suparsvanatha in Kayotsarga, or Standing Meditation, Posture and Protected by a Five-Headed Naga
Tirthankara Suparsvanatha in Kayotsarga, or Standing Meditation, Posture and Protected by a Five-Headed Naga
Formerly thought to represent Parsvanatha, Jainism’s twenty-third Tirthankara, this sculpture has now been identified as Suparsvanatha, Jainism’s seventh Tirthankara. According to ...
painting (watercolour): ["David Love"]
painting (watercolour): ["David Love"]
Portrait of a man in a black top hat. He also wears a brown jacket and a black waistcoat. He is holding papers in both hands. Stamp at bottom left of page reads 'Bristol Paper' aro...
Country House by a River
Country House by a River
The second half of the 1880s was a particularly difficult time for Cézanne. In 1885 he appears to have had an abortive romantic entanglement, which left him agitated and unbalanced...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Modeled, engraved and openwork perfume burner in bronze. Cylindrical base with flat bottom and flat rim on which a niche in the shape of a half dome. The opening is framed by a carved rim forming two opposing volutes, with two bird heads in the centre. On
Modeled, engraved and openwork perfume burner in bronze. Cylindrical base with flat bottom and flat rim on which a niche in the shape of a half dome. The opening is framed by a carved rim forming two opposing volutes, with two bird heads in the centre. On
Modeled, engraved and openwork perfume burner in bronze. Cylindrical base with flat bottom and flat rim on which a niche in the shape of a half dome. The opening is framed by a car...