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THE SYNERGY OF ART AND SPORTS. ALL-UNION SPORTS PARADES OF THE 1930S AND 1950S

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В статье анализируются Всесоюзные физкультурные парады 1930–1950 годов как особая форма синтетического театрализованного действия. В качестве источника активно используются уникальные материалы из архива художников Антонины Каземировны Ладур и Михаила Филипповича Ладура, которые с 1935 года были одними из авторов художественного оформления парадов. Большая часть архива в 2013–2015 годах была передана автором в дар МО «Музей Москвы» и требует дополнительного изучения и введения в научный оборот. The article analyzes the All-Union sports parades of the 1930s and 1950s as a special form of synthetic theatrical action. Unique materials from the archive of artists Antonina Kazimirovna and Mikhail Filippovich Ladur, who have been one of the authors of the artistic design of the parades since 1935, are actively used as a source. Most of the archive in 2013–2015 was donated by the author to the MO “Museum of Moscow” and requires additional study and introduction into scientific circulation.
Title: THE SYNERGY OF ART AND SPORTS. ALL-UNION SPORTS PARADES OF THE 1930S AND 1950S
Description:
В статье анализируются Всесоюзные физкультурные парады 1930–1950 годов как особая форма синтетического театрализованного действия.
В качестве источника активно используются уникальные материалы из архива художников Антонины Каземировны Ладур и Михаила Филипповича Ладура, которые с 1935 года были одними из авторов художественного оформления парадов.
Большая часть архива в 2013–2015 годах была передана автором в дар МО «Музей Москвы» и требует дополнительного изучения и введения в научный оборот.
The article analyzes the All-Union sports parades of the 1930s and 1950s as a special form of synthetic theatrical action.
Unique materials from the archive of artists Antonina Kazimirovna and Mikhail Filippovich Ladur, who have been one of the authors of the artistic design of the parades since 1935, are actively used as a source.
Most of the archive in 2013–2015 was donated by the author to the MO “Museum of Moscow” and requires additional study and introduction into scientific circulation.

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