Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

KONSEP DIRI “ I “ DAN “ME” TOKOH HIROKO DALAM NOVEL NAMAKU HIROKO KARYA NH.DINI

View through CrossRef
This research deals with the development of  self concept of Hiroko as the main character in Namaku Hiroko by Nh. Dini and tries to identify how Hiroko is portrayed in the story, how she interacts with other characters and whether she is portrayed as a character dominated by ”I” element or  ”Me”  element seen  from sociological and cultural point of view. As a qualitative research in nature, the source of data in this research is the novel Namaku Hiroko (1967) and the data ara analyzed and presented deductively. The result of this analysis shows that in the novel, Hiroko as a fictional character is  portrayed as a girl whose personality  develops and changes drastically from ”Me”  to ”I”. When she was still in the village  l iving with her parents, she was portrayed as a obedient girl who was loyal to the parents, polite and acted in accordance with the social customs. In short, her personality was dominated by ”Me”  self concept. On the other hand, when she moved to the city (Kyoto), she was portrayed as a wild girl  no longer controlled by the social customs. She was  firm and determined totake decisions of  her won  for her future without considering what other people would say about her. She did not want to be treated as object. To put it in another way, her personality is more dominated by the ”I” self concept.
University of Surabaya
Title: KONSEP DIRI “ I “ DAN “ME” TOKOH HIROKO DALAM NOVEL NAMAKU HIROKO KARYA NH.DINI
Description:
This research deals with the development of  self concept of Hiroko as the main character in Namaku Hiroko by Nh.
Dini and tries to identify how Hiroko is portrayed in the story, how she interacts with other characters and whether she is portrayed as a character dominated by ”I” element or  ”Me”  element seen  from sociological and cultural point of view.
As a qualitative research in nature, the source of data in this research is the novel Namaku Hiroko (1967) and the data ara analyzed and presented deductively.
The result of this analysis shows that in the novel, Hiroko as a fictional character is  portrayed as a girl whose personality  develops and changes drastically from ”Me”  to ”I”.
When she was still in the village  l iving with her parents, she was portrayed as a obedient girl who was loyal to the parents, polite and acted in accordance with the social customs.
In short, her personality was dominated by ”Me”  self concept.
On the other hand, when she moved to the city (Kyoto), she was portrayed as a wild girl  no longer controlled by the social customs.
She was  firm and determined totake decisions of  her won  for her future without considering what other people would say about her.
She did not want to be treated as object.
To put it in another way, her personality is more dominated by the ”I” self concept.

Related Results

KARAKTER TOKOH DALAM NOVEL SOGI KARYA FAIKA BURHAN
KARAKTER TOKOH DALAM NOVEL SOGI KARYA FAIKA BURHAN
Abstract : Permasalahan penelitian ini adalah bagaimana karakter tokoh dalam novel “Sogi karya Faika Burhan?”Penelitian ini bertujuan mendeskripsikan karakter tokoh dalam novel Sog...
EKSISTENSI PEREMPUAN DAN POKOK-POKOK PIKIRAN FEMINISME DALAM NOVEL NAMAKU HIROKO KARYA N.H. DINI
EKSISTENSI PEREMPUAN DAN POKOK-POKOK PIKIRAN FEMINISME DALAM NOVEL NAMAKU HIROKO KARYA N.H. DINI
ABSTRAK Novel Namaku Hiroko karya N.H. Dini sarat dengan nilai-nilai perjuangan penyetaraan gender kaum wanita terhadap laki-laki sehingga di dalamnya tertuang pemikiran-pemikiran ...
MITOS KECANTIKAN DALAM NOVEL GENDUT? SIAPA TAKUT! KARYA ALNIRA: KAJIAN FEMINISME NAOMI WOLF
MITOS KECANTIKAN DALAM NOVEL GENDUT? SIAPA TAKUT! KARYA ALNIRA: KAJIAN FEMINISME NAOMI WOLF
Penelitian ini berfokus pada aspek bentuk dan pengaruh mitos kecantikan dalam novel Gendut? Siapa Takut! karya Alnira (2019). Analisis dilakukan dengan memanfaatkan teori feminisme...
NILAI PENDIDIKAN DALAM NOVEL TENGGELAMNYA KAPAL VAN DER WIJCK KARYA HAMKA SEBUAH ANALISIS UNSUR TEMA, TOKOH, PERWATAKAN, AMANAT
NILAI PENDIDIKAN DALAM NOVEL TENGGELAMNYA KAPAL VAN DER WIJCK KARYA HAMKA SEBUAH ANALISIS UNSUR TEMA, TOKOH, PERWATAKAN, AMANAT
Penelitian ini merupakan suatu analisis terhadap unsur pendidikan atas tema, tokoh dan perwatakan serta amanat dalam novel Tenggelamnya Kapal Van Der Wijck karya HAMKA. Rumusan mas...
CITRA PEREMPUAN ASMAT DALAM ROMAN NAMAKU TEWERAUT KARYA ANI SEKARNINGSIH: KAJIAN SASTRA FEMINIS
CITRA PEREMPUAN ASMAT DALAM ROMAN NAMAKU TEWERAUT KARYA ANI SEKARNINGSIH: KAJIAN SASTRA FEMINIS
ABSTRAK Penelitian ini bertujuan untuk mendeskripsikan bagaimana citra perempuan suku Asmat dalam Roman Namaku Teweraut karya Ani Sekarningsih. Metode penelitian yang digunak...
FAKTOR-FAKTOR YANG MEMPENGARUHI MORTALITAS PADA PASIEN DENGAN FRAKTUR COSTA: Literature Review
FAKTOR-FAKTOR YANG MEMPENGARUHI MORTALITAS PADA PASIEN DENGAN FRAKTUR COSTA: Literature Review
FAKTOR-FAKTOR YANG MEMPENGARUHI MORTALITAS PADA PASIEN DENGAN FRAKTUR COSTA: Literature  Review Anna Tri Wahyuni1), Masfuri2),  Liya Arista3)1,2,3 Fakultas Ilmu Keperawatan Univers...
KECEMASAN SAAT PANDEMI COVID 19: LITERATUR REVIEW Hardiyati, Efri Widianti, Taty Hernawaty Departemen Keperawatan Jiwa Poltekkes Kemenkes Mamuju Sulbar, Universitas Pad...
SENI LUKIS KONSEP DAN METODE
SENI LUKIS KONSEP DAN METODE
Membuat seni lukis sebagai landasan berkarya yang mengikuti kaidah seni lukis dengan baik dan mampu menguasai konsep berkarya dan teknik seni lukis. Selanjutnya seni lukis menjadi ...

Back to Top