Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Creating Collective Identity: Geek Theatre, Fringe Festivals, and Fan Audiences

View through CrossRef
Fringe Festivals and Geek Theatre share a plethora of affinities: both have penchants for generating offbeat and experimental theatre as labors of love on shoestring budgets, attracting quirky subcultural audiences made up of theatregoers and newcomers alike, and creating a sense of community based on values of egalitarian access to self-expression. Geek Theatre manifests in an intersection between the affinity spaces of fandom and the live experience of staged theatre, facilitating a uniquely community-based affective experience in which artists and audiences share a common language and love for the geeky genres of their subject matter. The history of Geek Theatre is embedded in Fringe culture, which I argue is the perfect incubator for its campy aesthetic and dialogic relationship between production and fan audience.
University of Michigan Library
Title: Creating Collective Identity: Geek Theatre, Fringe Festivals, and Fan Audiences
Description:
Fringe Festivals and Geek Theatre share a plethora of affinities: both have penchants for generating offbeat and experimental theatre as labors of love on shoestring budgets, attracting quirky subcultural audiences made up of theatregoers and newcomers alike, and creating a sense of community based on values of egalitarian access to self-expression.
Geek Theatre manifests in an intersection between the affinity spaces of fandom and the live experience of staged theatre, facilitating a uniquely community-based affective experience in which artists and audiences share a common language and love for the geeky genres of their subject matter.
The history of Geek Theatre is embedded in Fringe culture, which I argue is the perfect incubator for its campy aesthetic and dialogic relationship between production and fan audience.

Related Results

Geek nostalgia: The reflective and restorative defence of white male geek culture
Geek nostalgia: The reflective and restorative defence of white male geek culture
During recent decades, geek culture has become increasingly visible, and the geek has left the cultural margins, becoming more popular than ever. At the same time, nostalgia has em...
Henry Lives! Learning from Lawson Fandom
Henry Lives! Learning from Lawson Fandom
Since his death in 1922, Henry Lawson’s “spirit” has been kept alive by admirers across Australia. Over the last century, Lawson’s reputation in the academy has fluctuated yet fan ...
Fan Studies
Fan Studies
Fan studies is a field of scholarly research focused on media fans and fan cultures. Fans might be broadly defined as individuals who maintain a passionate connection to popular me...
Cross-cultural Encounters in Urban Festivals: Between Liberation and Domination
Cross-cultural Encounters in Urban Festivals: Between Liberation and Domination
This paper is part of a wider research project on Paradoxical Spaces: Encountering the Other in Public Space that explores how cultural difference is practiced and negotiated in di...
Postmodernism siirdeajastu Eesti teatris [Postmodernism in the Estonian theatre in the transition period]
Postmodernism siirdeajastu Eesti teatris [Postmodernism in the Estonian theatre in the transition period]
Summary. The article gives an overview of the emergence of postmodern aesthetics in the Estonian theatre and the response it received in the theatre discourse during the transition...
Harry Potter and the Fan Fiction Phenomenon
Harry Potter and the Fan Fiction Phenomenon
The Harry Potter (HP) Fan Fiction (FF) phenomenon offers an opportunity to explore the nature of fame and the work of fans (including the second author, a participant observer) in ...
Festival to Festival: Networked Relationships Between Fringe Festivals
Festival to Festival: Networked Relationships Between Fringe Festivals
This article aims to demonstrate the importance and value of collaboration between members of a formalized network of Fringe festivals. The research was informed by Castells (the n...
“This Beer Festival Has a Theatre Problem!”: The Evolution and Rebranding of the Edmonton International Fringe Theatre Festival
“This Beer Festival Has a Theatre Problem!”: The Evolution and Rebranding of the Edmonton International Fringe Theatre Festival
The Edmonton International Fringe Theatre Festival was founded in 1981 on the premise that a nonadjudicated, first-come first-served structure combined with bare minimum administra...

Back to Top