Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Hendrick Goltzius: somlyói Báthory Boldizsár képmása, 1583

View through CrossRef
Abstract This standing, full length portrait of Balthasar Bathory was produced in 1583 in Haarlem by Hendrik Goltzius, who was at the beginning of his career at the time. On the engraving Bathory is depicted in a French dress, with his initials and age above his head, his coat of arms in the top right corner lettered around with his motto and an inscription in the lower left corner, identifying the author of the engraving with the text “H. Goltzius fecit”. In the background we can see a scene that relates to hunting and war at the same time — referring to the well known passion Bathorys had for hunting, as well as Balthasar's successes in the Livonian war over the Russians. We can reconstruct the story of the creation of the engraving from the work of Goltzius' friend and colleague, Karel van Mander. During the creation of this engraving another one was also produced, showing Balthasar's companion and fellow officer, the polish noble Stanisŀaw Sobocki. We also know that between 1582 and 1583, Goltzius produced a series of full length engravings featuring officers of the Army of the Lower Countries. The significance of this picture transcends the fact that it is the only known portrait of Balthasar Bathory and that it is most likely an authentic likeness of his. The history of its creation sheds light on several unknown details of his career, opening new doors for historical research. As such, it allows us to determine his date of birth (1561), previously unknown, and also to fill his life between 1582 and 1586 with details, of which next to nothing was known until now. The most important new information is that during this period he led several embassies with the above mentioned Sobocki to Spain, France and the Lower Countries, in the service of Stefan Bathory, his uncle and the king of Poland.
Title: Hendrick Goltzius: somlyói Báthory Boldizsár képmása, 1583
Description:
Abstract This standing, full length portrait of Balthasar Bathory was produced in 1583 in Haarlem by Hendrik Goltzius, who was at the beginning of his career at the time.
On the engraving Bathory is depicted in a French dress, with his initials and age above his head, his coat of arms in the top right corner lettered around with his motto and an inscription in the lower left corner, identifying the author of the engraving with the text “H.
Goltzius fecit”.
In the background we can see a scene that relates to hunting and war at the same time — referring to the well known passion Bathorys had for hunting, as well as Balthasar's successes in the Livonian war over the Russians.
We can reconstruct the story of the creation of the engraving from the work of Goltzius' friend and colleague, Karel van Mander.
During the creation of this engraving another one was also produced, showing Balthasar's companion and fellow officer, the polish noble Stanisŀaw Sobocki.
We also know that between 1582 and 1583, Goltzius produced a series of full length engravings featuring officers of the Army of the Lower Countries.
The significance of this picture transcends the fact that it is the only known portrait of Balthasar Bathory and that it is most likely an authentic likeness of his.
The history of its creation sheds light on several unknown details of his career, opening new doors for historical research.
As such, it allows us to determine his date of birth (1561), previously unknown, and also to fill his life between 1582 and 1586 with details, of which next to nothing was known until now.
The most important new information is that during this period he led several embassies with the above mentioned Sobocki to Spain, France and the Lower Countries, in the service of Stefan Bathory, his uncle and the king of Poland.

Related Results

Het Laatste avondmaal, het eerst bekende schilderstuk van Karel van Mander de Jonge
Het Laatste avondmaal, het eerst bekende schilderstuk van Karel van Mander de Jonge
AbstractA large panel of the Last Supper (fig. 1) can now be attributed to Karel van Mander the Younger (Haarlem c. 1583 – Delft 1623), after cleaning by the present owner, Douwes ...
Hendrick Goltzius : les estampes de la Bibliothèque de Lille
Hendrick Goltzius : les estampes de la Bibliothèque de Lille
Le XVIe siècle connut de grands graveurs : Durer, Lucas de Leyde pour les plus célèbres mais également un autre artiste issu de l'Europe du Nord-Ouest : Hendrick Goltzius - représe...
Hendrick Goltzius: Painting with Colored Chalk
Hendrick Goltzius: Painting with Colored Chalk
During the first half of the 1590s, Hendrick Goltzius created several large colored-chalk portraits of his artist friends, as well as two self-portraits. Mid-career, he traveled fr...
Catalogus
Catalogus
AbstractHerman Jansz Breckerveld was born in Duisburg, Germany, in 1595/1596. He left his birth country for religious and economic reasons, deciding to settle in the Netherlands. T...
Tunirrusiangit: Their Gifts
Tunirrusiangit: Their Gifts
Tunnirusiangit: Kenojuak Ashevak + Timotee Pitsiulak was a collaborative project in 2017-2018, led by four Inuit artists and curators, Laakkuluk Williamson Bathory, Koomuatuk (Kuzy...
Griseldis Báthory, the Disobedient Bride or the Unsuccessful Taming of a Heretic Shrew
Griseldis Báthory, the Disobedient Bride or the Unsuccessful Taming of a Heretic Shrew
The article aims to examine the initial phase of the marriage of Jan Zamoyski with Griseldis Báthory, the issue of change of the bride’s name, and the problems caused by the newlyw...
Countess Dracula
Countess Dracula
This chapter probes into the history surrounding the real life serial killer Countess Elizabeth Bathory. It also unveils several filmic interpretations of her story, with a view to...

Back to Top