Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Memoir of Madame Jenny Lind-Goldschmidt

View through CrossRef
Jenny Lind (1820–87) was one of Europe's most famous opera singers. Known as the 'Swedish Nightingale', she first rose to prominence in an 1838 performance of Weber's Freischütz. Despite her immense success over the next ten years, she retired from the stage at the age of twenty-nine. Seeking financial security to pursue her charitable interests, in 1850 she accepted the invitation of impresario P. T. Barnum to undertake a tour of the United States; this was another succession of triumphs. Henry Scott Holland (1847–1918), the theologian and social reformer, and music writer William Smith Rockstro (1823–95) used Lind's own documents, letters and diaries as the basis of this two-volume memoir, published in 1891, which focuses on the first thirty-one years of her life. Volume 2 discusses some of Lind's most memorable performances in Europe and the reasons for her first retirement; it ends with her departure for America.
Title: Memoir of Madame Jenny Lind-Goldschmidt
Description:
Jenny Lind (1820–87) was one of Europe's most famous opera singers.
Known as the 'Swedish Nightingale', she first rose to prominence in an 1838 performance of Weber's Freischütz.
Despite her immense success over the next ten years, she retired from the stage at the age of twenty-nine.
Seeking financial security to pursue her charitable interests, in 1850 she accepted the invitation of impresario P.
T.
Barnum to undertake a tour of the United States; this was another succession of triumphs.
Henry Scott Holland (1847–1918), the theologian and social reformer, and music writer William Smith Rockstro (1823–95) used Lind's own documents, letters and diaries as the basis of this two-volume memoir, published in 1891, which focuses on the first thirty-one years of her life.
Volume 2 discusses some of Lind's most memorable performances in Europe and the reasons for her first retirement; it ends with her departure for America.

Related Results

Memoir of Madame Jenny Lind-Goldschmidt
Memoir of Madame Jenny Lind-Goldschmidt
Jenny Lind (1820–87) was one of Europe's most famous opera singers. Known as the 'Swedish Nightingale', she first rose to prominence in an 1838 performance of Weber's Freischütz. D...
Selling the Nightingale
Selling the Nightingale
Abstract Swedish concert singer Jenny Lind made her American debut on September 11, 1850, at New York’s Castle Garden. At the time that she first arrived in the US, ...
‘First the misery, then the trauma’: the Australian trauma memoir
‘First the misery, then the trauma’: the Australian trauma memoir
This article focuses on the trauma memoir as an identifiable type of creative writing. It begins by tracing its popularity, especially in the 1990s, in the process recognising what...
Neoliberal Life Narrative
Neoliberal Life Narrative
Chapter three examines the historicized women’s life narrative as it migrates into the 21st century, via Oprah Winfrey’s Book Club and television show, to the genres of self-help a...
Our Hearts Are Restless
Our Hearts Are Restless
Abstract The personal narrative, be it autobiography or memoir, tells what it is to live and die in the world. Spiritual memoir adds two further dimensions. First, b...
Jenny in Java: Sekaten Night Market
Jenny in Java: Sekaten Night Market
Jennifer Newlands or often called as Jenny, moved from Australia to Yogyakarta with her dad. Jenny learned a lot of things: language, culture, and tradition, especially Sekaten Nig...
Clara Schumann and Jenny Lind in 1850
Clara Schumann and Jenny Lind in 1850
Clara Schumann’s 1850 tour of northern Germany with her husband officially ended with a successful concert in Altona where Jenny Lind made a surprise appearance. Immediately therea...
Emily Dickinson, Jenny Lind, and Rural Nineteenth-Century Fandom
Emily Dickinson, Jenny Lind, and Rural Nineteenth-Century Fandom
ABSTRACT Although Emily Dickinson's papers were preserved because of her place in literary history, not her musical knowledge, her engagement with music provides an ...

Back to Top