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THE MEANING OF LIGHT IN THE WORKS OF MICHELANGELO MERISI DA CARAVAGGIO
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Свет в творчестве Караваджо традиционно воспринимается как образно- пластическое средство. В результате же настоящего исследования обнаруживается философскоэстетическая нагрузка света в работах итальянского художника, реформатора европейской живописи XVII в., основателя реализма в живописи, одного из крупнейших мастеров барокко. С помощью хронологического метода выявлены предпосылки формирования художественного языка Караваджо, проработана проблема интерпретации света.
Light in Caravaggio’s work is traditionally perceived as a figurative and plastic means. As a result of this research, the philosophical and aesthetic load of light is revealed in the works of the Italian artist, reformer of European painting of the 17th century, founder of realism in painting, one of the greatest masters of the Baroque. Using the chronological method, the prerequisites for the formation of Caravaggio’s artistic language were identified, and the problem of interpreting light was worked out.
Title: THE MEANING OF LIGHT IN THE WORKS OF MICHELANGELO MERISI DA CARAVAGGIO
Description:
Свет в творчестве Караваджо традиционно воспринимается как образно- пластическое средство.
В результате же настоящего исследования обнаруживается философскоэстетическая нагрузка света в работах итальянского художника, реформатора европейской живописи XVII в.
, основателя реализма в живописи, одного из крупнейших мастеров барокко.
С помощью хронологического метода выявлены предпосылки формирования художественного языка Караваджо, проработана проблема интерпретации света.
Light in Caravaggio’s work is traditionally perceived as a figurative and plastic means.
As a result of this research, the philosophical and aesthetic load of light is revealed in the works of the Italian artist, reformer of European painting of the 17th century, founder of realism in painting, one of the greatest masters of the Baroque.
Using the chronological method, the prerequisites for the formation of Caravaggio’s artistic language were identified, and the problem of interpreting light was worked out.
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