Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

St Albans: ‘Messiah Preludes’

View through CrossRef
The idea of commissioning modern preludes to preface well established pillars of the classical repertoire has apparently been done a few years ago with soft new sounds gracing the air as audiences picnicked as a lead up to performances of Mozart's operas at Glyndebourne. Conversely one hears of The Departure of the Queen of Sheba, and other novelties. However, when conductor George Vass, musical director of the Presteigne Festival, commissioned three modern preludes to Handel's Messiah, to celebrate his tenth anniversary at the festival (2002), this must qualify as a ‘first’, and his brainchild. The Presteigne Festival is well known for its commitment to contemporary classical music. This was an ideal opportunity to commission three major British composers, to make their own 21st century ‘commentaries’ on Messiah, using the same instrumental forces available to Handel. As he also directs St Albans Choral Society, they put on the Messiah 25 October 2003, at St Albans Cathedral, prefaced by the three new preludes in the presence of two of the composers, Cecilia McDowall and David Matthews, using Orchestra Nova from the Presteigne Festival.
Cambridge University Press (CUP)
Title: St Albans: ‘Messiah Preludes’
Description:
The idea of commissioning modern preludes to preface well established pillars of the classical repertoire has apparently been done a few years ago with soft new sounds gracing the air as audiences picnicked as a lead up to performances of Mozart's operas at Glyndebourne.
Conversely one hears of The Departure of the Queen of Sheba, and other novelties.
However, when conductor George Vass, musical director of the Presteigne Festival, commissioned three modern preludes to Handel's Messiah, to celebrate his tenth anniversary at the festival (2002), this must qualify as a ‘first’, and his brainchild.
The Presteigne Festival is well known for its commitment to contemporary classical music.
This was an ideal opportunity to commission three major British composers, to make their own 21st century ‘commentaries’ on Messiah, using the same instrumental forces available to Handel.
As he also directs St Albans Choral Society, they put on the Messiah 25 October 2003, at St Albans Cathedral, prefaced by the three new preludes in the presence of two of the composers, Cecilia McDowall and David Matthews, using Orchestra Nova from the Presteigne Festival.

Related Results

«Préludes» by Claude Debussy – the idea of the work as a cycle
«Préludes» by Claude Debussy – the idea of the work as a cycle
Claude Debussy’s «Préludes» are 24 pieces for solo piano divided into two books of 12 preludes each. Since every miniature represents well-balanced entirety, it could be performed ...
The Suffering Messiah Ephraim
The Suffering Messiah Ephraim
This concluding chapter focuses on the seemingly traditional task of the Messiah as the redeemer of Israel at the end of time. It looks at the idea of the suffering Messiah that ev...
Persiapan Kedatangan Mesias Selama Masa Intertestamental
Persiapan Kedatangan Mesias Selama Masa Intertestamental
The intertestamental era was a 400 years period between Old Testament and New Testament when God didn’t say anything to the Israelites. Connected with the promise in the Old Testam...
The Suffering Son of David in Matthew's Passion Narrative
The Suffering Son of David in Matthew's Passion Narrative
In this book, Nathan C. Johnson offers the first full-scale study of David traditions in the Gospel of Matthew's story of Jesus's death. He offers a solution to the tension between...
The Christian Account of the Barcelona Disputation
The Christian Account of the Barcelona Disputation
This chapter details the Christian account of the Barcelona Disposition. After a discussion with King James I of Aragon and certain friars who were present, Pablo Christiani propos...
The Messiah of Ephraim and the Premature Exodus of the Tribe of Ephraim
The Messiah of Ephraim and the Premature Exodus of the Tribe of Ephraim
A considerable number of detailed studies have been devoted to the Messiah of Ephraim (or of Joseph). Among the problems which were raised by scholars are the following: What need ...
A Pedagogical Guide to the Twenty-Four Preludes for Piano, Op.67 (1814), by Johann Nepomuk Hummel
A Pedagogical Guide to the Twenty-Four Preludes for Piano, Op.67 (1814), by Johann Nepomuk Hummel
Johann Nepomuk Hummel (1778–1837) was a leading composer, virtuoso pianist, and well-known pedagogue during the late Classical and early Romantic periods. His music was important a...
Preluding on the harp in the late 18th and early 19th centuries
Preluding on the harp in the late 18th and early 19th centuries
Abstract The practice of improvised or apparently improvised preludes has been widely documented over the centuries. Harpists of the late 18th and early 19th centuri...

Back to Top