Dante as a Florentine lyrical author

As one of the outstanding authors of medieval literature, Dante Alighieri has enjoyed seven centuries of close scholarly attention. 1 The immense success of his  Comedy has prompted some modern Dante scholars to assume that such success came easily during his life, even though the  Comedy was fully issued only after the poet’s death. Similar claims for rapid success are also made for the  Vita nuova and some of Dante’s lyric poetry. However, although much ancient source material has been lost, the surviving evidence does not support the view that success came to Dante during his life. Close scrutiny of the manuscript sources suggests a quite different scenario: Dante as an author had to survive in a dynamic and ruthlessly competitive environment (which, by analogy with the theory of natural selection, may have helped to elicit his finest achievements). His goal was to persuade the highly educated and affluent Florentine upper class to abandon its attachment to the prevailing lyrical school, represented by the authoritative and apparently indomitable Guittone d’Arezzo and his followers. Only then would Dante and the new poets (the  Stilnovisti) stand a chance of seeing their work collected in the prestigious and expensive  canzonieri. Probably, on the evidence of the surviving collections and other manuscripts (Escorialense, Laur. Martelli 12, etc), Dante did not fully achieve his goal — a situation which changed, dramatically, only after the  Comedy was published.