Javascript must be enabled to continue!
A self‐caricature of michelangelo buonarroti hidden in the portrait of vittoria colonna
View through CrossRef
The specialized literature has described how the great anatomist par excellence, Michelangelo Buonarroti (1475–1564), like many other renowned artists of his time, included a self‐portrait in many of his works. This article presents novel evidence that Michelangelo inserted his self‐portrait into a sketch of his close friend, Vittoria Colonna (1490–1547). This work, made by Michelangelo in 1525, is currently in the collection of the British Museum in London, England. This self‐portrait of Michelangelo can serve as a tool for analyzing the artist's probable bodily dimensions and even his state of health during this period of his life. Clin. Anat. 31:335–338, 2018. © 2018 Wiley Periodicals, Inc.
Title: A self‐caricature of michelangelo buonarroti hidden in the portrait of vittoria colonna
Description:
The specialized literature has described how the great anatomist par excellence, Michelangelo Buonarroti (1475–1564), like many other renowned artists of his time, included a self‐portrait in many of his works.
This article presents novel evidence that Michelangelo inserted his self‐portrait into a sketch of his close friend, Vittoria Colonna (1490–1547).
This work, made by Michelangelo in 1525, is currently in the collection of the British Museum in London, England.
This self‐portrait of Michelangelo can serve as a tool for analyzing the artist's probable bodily dimensions and even his state of health during this period of his life.
Clin.
Anat.
31:335–338, 2018.
© 2018 Wiley Periodicals, Inc.
Related Results
Drawing Christ’s Blood: Michelangelo, Vittoria Colonna, and the Aesthetics of Reform*
Drawing Christ’s Blood: Michelangelo, Vittoria Colonna, and the Aesthetics of Reform*
AbstractThis article discusses Michelangelo’s drawings for Vittoria Colonna in relation to poetry and prose by Michelangelo, Colonna, and their circle. It focuses on the intersecti...
A Self‐Portrait of Michelangelo Buonarroti Hidden in a Drawing from the Ashmolean Museum
A Self‐Portrait of Michelangelo Buonarroti Hidden in a Drawing from the Ashmolean Museum
The discovery was recently announced in the scientific literature of a self‐caricature of the great Renaissance artist and genius of human anatomy, Michelangelo Buonarroti (1475–15...
Late Love: Vittoria Colonna and Reginald Pole
Late Love: Vittoria Colonna and Reginald Pole
In the final years of her life, Vittoria Colonna developed a profound attachment
to the English Catholic cardinal, Reginald Pole, who had formed a
circle of reformers in ...
‘She Showed the World a Beacon of Female Worth’ : Vittoria Colonna in Arcadia
‘She Showed the World a Beacon of Female Worth’ : Vittoria Colonna in Arcadia
The Accademia dell’Arcadia (founded 1690) deserves to play a leading role in
any account of Vittoria Colonna’s posthumous influence. The author of the
first ‘critical’ ed...
Magistra apostolorum : The Virgin Mary in Birgitta of Sweden and Vittoria Colonna
Magistra apostolorum : The Virgin Mary in Birgitta of Sweden and Vittoria Colonna
Vittoria Colonna used a series of role models, such as the heroines of
classical mythology, or female saints such as Catherine of Alexandria and
Mary Magdalene, in the co...
‘Leading Others on the Road to Salvation’ : Vittoria Colonna and Her Readers
‘Leading Others on the Road to Salvation’ : Vittoria Colonna and Her Readers
This paper considers the question of Vittoria Colonna’s readership beyond
the poet’s intimate circle of friends and associates. It asks who was reading
Vittoria Colonna i...
Vittoria Colonna
Vittoria Colonna
Vittoria Colonna (b. 1490/2–d. 1547) made her name as the author of numerous lyric poems in the Petrarchan style in 16th-century Italy. Her poetry was widely published in printed e...
‘I Take Thee’: Vittoria Colonna, Conjugal Verse and Male poeti colonnesi
‘I Take Thee’: Vittoria Colonna, Conjugal Verse and Male poeti colonnesi
It is widely known that Vittoria Colonna influenced female love lyricists,
as well as spiritual Petrarchists of both genders. Generally unrecognized is
the impact her amo...

