Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Dramaturgy at A.c.t.: An Interview with Dennis Powers and William Ball of the American Conservatory Theatre

View through CrossRef
Founded by William Ball in 1965, the American Conservatory Theatre settled permanently in San Francisco in 1967; it is now one of the largest and most successful regional repertory companies in the nation, presenting a season of nine classical and modern plays in nightly rotation over thirty-three weeks. A.C.T. has a staff of over 200 with a yearly budget of $4,000,000.00; only 28% of this figure comes from grants and foundations. The position of “dramaturg” at A.C.T. evolved as the pragmatic “literary” needs of the company made themselves apparent over the years. Dennis Powers has been chiefly responsible for this development and during the 1975–1976 season he first officially assumed the title. What follows is an edited record of an interview conducted in February 1978.
Duke University Press
Title: Dramaturgy at A.c.t.: An Interview with Dennis Powers and William Ball of the American Conservatory Theatre
Description:
Founded by William Ball in 1965, the American Conservatory Theatre settled permanently in San Francisco in 1967; it is now one of the largest and most successful regional repertory companies in the nation, presenting a season of nine classical and modern plays in nightly rotation over thirty-three weeks.
A.
C.
T.
has a staff of over 200 with a yearly budget of $4,000,000.
00; only 28% of this figure comes from grants and foundations.
The position of “dramaturg” at A.
C.
T.
evolved as the pragmatic “literary” needs of the company made themselves apparent over the years.
Dennis Powers has been chiefly responsible for this development and during the 1975–1976 season he first officially assumed the title.
What follows is an edited record of an interview conducted in February 1978.

Related Results

Post-Political Theatre versus the Theatre of Political Struggle
Post-Political Theatre versus the Theatre of Political Struggle
In this article Bérénice Hamidi-Kim tests the hypothesis that two conflicting interpretations of the notion of ‘political theatre’ exist on the French stage today. She suggests tha...
Cut and Paste: The Nature of Dramaturgical Development in the Theatre
Cut and Paste: The Nature of Dramaturgical Development in the Theatre
This practice-based paper looks at the nature of dramaturgical development in the theatre, and at the role of the dramaturg. It has two objectives: to examine the meaning of key te...
Theatre Practice, Theatre Studies, and ‘New Theatre Quarterly’
Theatre Practice, Theatre Studies, and ‘New Theatre Quarterly’
The original series of Theatre Quarterly ran for ten years and forty issues, from 1971 to 1981. The relaunched journal intends to continue the best traditions of the old, while ref...
Public Theatre, Community Theatre, and Collaboration: Two Case Studies
Public Theatre, Community Theatre, and Collaboration: Two Case Studies
In 1986 professional theatre practitioners working in two underprivileged neighbourhoods in greater Tel Aviv in Israel created in collaboration with the local residents two large-s...
Tell Me When It Hurts: the ‘Theatre of Cruelty’ Season, Thirty Years On
Tell Me When It Hurts: the ‘Theatre of Cruelty’ Season, Thirty Years On
The piece which follows was written in 1964 after seeing the Theatre of Cruelty season, directed by Peter Brook and Charles Marowitz at the then recently opened LAMDA Theatre in We...
Regiments of the Theatre: Reenactment in Theatre and Military Culture
Regiments of the Theatre: Reenactment in Theatre and Military Culture
La reconstitution militaire, discipline en émergence, révèle un champ d’exercice dans lequel le monde du théâtre et la culture militaire convergent. C’est à la fois la militarisati...
An Englishman Abroad Louis Calvert at the New Theatre, New York
An Englishman Abroad Louis Calvert at the New Theatre, New York
In November 1909 William Archer wrote an article for McClure's Magazine in which he surveyed developments in the American theatre over the past twenty years. The most innovative wo...
Writing in the Dark: Fifty Years of British Theatre Criticism
Writing in the Dark: Fifty Years of British Theatre Criticism
In NTQ50 (May 1997) Irving Wardle offered his reflections on forty years of theatre reviewing, from the point of view of the seasoned practitioner. Here, Ian Herbert looks at the c...

Back to Top