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Social realism: art as a weapon
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Structural Realism/Offensive and Defensive Realism
Structural Realism/Offensive and Defensive Realism
Structural realism, or neorealism, is a theory of international relations that says power is the most important factor in international relations. First outlined by Kenneth Waltz i...
4. Realism and anti‐realism
4. Realism and anti‐realism
‘Realism and anti-realism’ is concerned with the debate between scientific realism and its converse, anti-realism or instrumentalism. Realists hold that the aim of science is to pr...
Realism and Anti-realism
Realism and Anti-realism
The chapter argues that the search for a single construal of the realism/anti-realism distinction is misguided. There are more or less apt versions of the distinction, each framed ...
General George C. Marshall and the Atomic Bomb
General George C. Marshall and the Atomic Bomb
The atomic bomb is not only the most powerful weapon ever used in the history of warfare: it is also the most significant in terms of its long-term impact on U.S. military power an...
Virtue Runs Amok
Virtue Runs Amok
This chapter argues that a return to realism of a prudent and sceptical kind can help temper the pathologies that led to the Iraq War, on several fronts. It can counsel governments...
Social networks as an instrument of information warfare
Social networks as an instrument of information warfare
The paper focuses on the study of the role of social networks as an instrument of information warfare. The research relevance lies in the growing role of social media in modern i...
Debating Autonomous Weapon Systems, their Ethics, and their Regulation under International Law
Debating Autonomous Weapon Systems, their Ethics, and their Regulation under International Law
An international public debate over the law and ethics of autonomous weapon systems (AWS) has been underway since 2012, with those urging legal regulation of AWS under existing pri...
Invisible Terrain
Invisible Terrain
In his debut collection, Some Trees (1956), John Ashbery poses a question that resonates across his oeuvre and much modern art: “How could he explain to them his prayer / that natu...


