Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Dancing Greek Letters

View through CrossRef
This chapter examines why and how women became especially interested in the Euripidean tragedy The Bacchae and tried to make Greek letters dance, figuratively and literally. It shows how women resorted to dancing letters—the simultaneous subject and object of rhythmic movement—to mobilize Ladies' Greek in new directions at the turn of the twentieth century and beyond, toward an experience of kinesthesia. It also looks at Jane Harrison as a “modern maenad” whose ideas about Dionysiac ritual developed during her years at Newnham College, as well as the pedagogical setting of Bryn Mawr College, where students were initiated into a “cult of Greek” under the leadership of M. Carey Tomas. Finally, it discusses a student production of The Bacchae for the fiftieth anniversary of Bryn Mawr, suggesting that the choreography of this performance can be read as a transformation of ancient Greek into dancing letters.
Princeton University Press
Title: Dancing Greek Letters
Description:
This chapter examines why and how women became especially interested in the Euripidean tragedy The Bacchae and tried to make Greek letters dance, figuratively and literally.
It shows how women resorted to dancing letters—the simultaneous subject and object of rhythmic movement—to mobilize Ladies' Greek in new directions at the turn of the twentieth century and beyond, toward an experience of kinesthesia.
It also looks at Jane Harrison as a “modern maenad” whose ideas about Dionysiac ritual developed during her years at Newnham College, as well as the pedagogical setting of Bryn Mawr College, where students were initiated into a “cult of Greek” under the leadership of M.
Carey Tomas.
Finally, it discusses a student production of The Bacchae for the fiftieth anniversary of Bryn Mawr, suggesting that the choreography of this performance can be read as a transformation of ancient Greek into dancing letters.

Related Results

Greek Literary Letters
Greek Literary Letters
What do we mean by Greek literary letters. Letters in literature? Literature in letter form? Do we include “private” letters (e.g., Plutarch to his wife) if they are later publishe...
Contemporary Thai Southern Dance (Manora Dancing): A Story of Nakha
Contemporary Thai Southern Dance (Manora Dancing): A Story of Nakha
Creative research: A Story of Nakha, the purpose of this performing art was to create dancing postures with storytelling from Manora’s white fingernails. This study was an action r...
Kirjažanrist Euroopa kultuuriloos ning kirjavahetuste avaldamisest ja uurimisest Eestis
Kirjažanrist Euroopa kultuuriloos ning kirjavahetuste avaldamisest ja uurimisest Eestis
The article deals with the emergence, development and blooming of the letter genre in European cultural history until the middle of the 20th century. The oldest letters that have s...
SPECIFICITY OF THE CONTENT OF PHYSICAL TRAINING IN THE PROCESS OF SPORTS BALLROOM DANCE CLASSES
SPECIFICITY OF THE CONTENT OF PHYSICAL TRAINING IN THE PROCESS OF SPORTS BALLROOM DANCE CLASSES
Introduction. The relevance of the topic is due to the increasing requirements for the physical fitness of athletes in sports ballroom dancing, which combines high aesthetic, techn...
Roman Literary Letters
Roman Literary Letters
Like their Greek counterparts (see Oxford Bibliographies article in Classics Greek Literary Letters), Roman literary letters have elicited an increasing amount of scholarly attenti...
During the Long Greek Crisis: Jan Fabre, The Greek Festival, and <i>Metakénosis</i>
During the Long Greek Crisis: Jan Fabre, The Greek Festival, and <i>Metakénosis</i>
During the fiscal, political, and social disorder caused by the Greek crisis, Greek cultural production has turned to obscure moments of Greek history, such as the Ottoman period, ...
Musical hybridity through Greek diaspora: in the case of Calliope Tsoupaki and Yannis Kyriakides
Musical hybridity through Greek diaspora: in the case of Calliope Tsoupaki and Yannis Kyriakides
<p>This research explores the influence of Greek history and diaspora and its impact on Greece and the progression of Greek popular musical styles – traditional, folk, and re...

Back to Top