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Glasskulptur
View through Europeana Collections
Title: Atlantis
Shape/color: Shake-shaped sculpture in blue with details in red and orange. A glass ball is located in the snail.
Technique/method: Pezzati technique/patchwork, blown, driven.
Other: Thoughts around the object: “Atlantis = the sinking city and on the bottom lies my shells and shines blue with red, yellow and oranga fish and starfish.”
"Fauve technology (According to Catti Åselius Lidbeck)
Fauvism - painting with strong and “wild” colours - was a art direction initiated by Matisse and some of his contemporary colleagues in France in the early 1900s.
I have combined this art direction with “pezzati technique” (or “patchwork” as it is sometimes also referred to) which Fulvio Bianconi (1915-1996) developed for Venini Glasbruk at Murano in Venice in the early 1950s.
I have now developed that technique further which makes it possible, that in addition to square and geometric patterns, it is also possible to create unlimited figures - e.g. tigers, birds, fish etc - that are completely melted into the glass post - nothing is painted - everything is glass."
Published: Aparto Vetro in Venidig 1998. Exhibited at the Dodgepalat together with international glass artists.
Published: Catalogue to Aparto - Vetro
Inscribed in the general ledger 2009-01-22
Title: Glasskulptur
Description:
Title: Atlantis
Shape/color: Shake-shaped sculpture in blue with details in red and orange.
A glass ball is located in the snail.
Technique/method: Pezzati technique/patchwork, blown, driven.
Other: Thoughts around the object: “Atlantis = the sinking city and on the bottom lies my shells and shines blue with red, yellow and oranga fish and starfish.
”
"Fauve technology (According to Catti Åselius Lidbeck)
Fauvism - painting with strong and “wild” colours - was a art direction initiated by Matisse and some of his contemporary colleagues in France in the early 1900s.
I have combined this art direction with “pezzati technique” (or “patchwork” as it is sometimes also referred to) which Fulvio Bianconi (1915-1996) developed for Venini Glasbruk at Murano in Venice in the early 1950s.
I have now developed that technique further which makes it possible, that in addition to square and geometric patterns, it is also possible to create unlimited figures - e.
g.
tigers, birds, fish etc - that are completely melted into the glass post - nothing is painted - everything is glass.
"
Published: Aparto Vetro in Venidig 1998.
Exhibited at the Dodgepalat together with international glass artists.
Published: Catalogue to Aparto - Vetro
Inscribed in the general ledger 2009-01-22.
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Color: Clear glass.
Approach: Harvesting.
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