Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The Analysis of the Vision of the Sermon: A Comparative study on Gauguin's relationship with Symbolism and Fauvism

View through CrossRef
Paul Gauguin is one of the three masters of post-impressionist painting school. The Vision of the Sermon is a landmark work of Gauguin in the process of artistic creation, which was created during Gauguin's sketching on the Brittany peninsula. It is through the completion of this work that Gauguin is known as the "founder of symbolism". Through the image analysis of the Vision of the Sermon, this paper summarizes and compares Gauguin's painting characteristics with symbolism and fauvism. Combined with scientific literature research, we can better understand Gauguin's artistic characteristics and his thinking on art and life. Symbolism and fauvism all have many common skills and characteristics with Gauguin and have a close relationship with each other. Through research, we can comprehensively and objectively analyze the connotation of Gauguin's illusion after his sermon, understand Gauguin's painting style and ideas, and witness Gauguin's influence on other painting schools and their position in the history of art.
Title: The Analysis of the Vision of the Sermon: A Comparative study on Gauguin's relationship with Symbolism and Fauvism
Description:
Paul Gauguin is one of the three masters of post-impressionist painting school.
The Vision of the Sermon is a landmark work of Gauguin in the process of artistic creation, which was created during Gauguin's sketching on the Brittany peninsula.
It is through the completion of this work that Gauguin is known as the "founder of symbolism".
Through the image analysis of the Vision of the Sermon, this paper summarizes and compares Gauguin's painting characteristics with symbolism and fauvism.
Combined with scientific literature research, we can better understand Gauguin's artistic characteristics and his thinking on art and life.
Symbolism and fauvism all have many common skills and characteristics with Gauguin and have a close relationship with each other.
Through research, we can comprehensively and objectively analyze the connotation of Gauguin's illusion after his sermon, understand Gauguin's painting style and ideas, and witness Gauguin's influence on other painting schools and their position in the history of art.

Related Results

Primerjalna književnost na prelomu tisočletja
Primerjalna književnost na prelomu tisočletja
In a comprehensive and at times critical manner, this volume seeks to shed light on the development of events in Western (i.e., European and North American) comparative literature ...
De la poésie à la peinture
De la poésie à la peinture
La poésie et la peinture étaient toujours deux différentes expressions de l’esprit et de l’âme de l’homme qui sont dédiées à présenter absolument chacune à sa façon ce qui était di...
Depth-aware salient object segmentation
Depth-aware salient object segmentation
Object segmentation is an important task which is widely employed in many computer vision applications such as object detection, tracking, recognition, and ret...
Fauvism
Fauvism
French Fauvism (c. 1904–1907) comprised a loosely formed group of painters whose mentor, Henri Matisse (1869–1954), argued for a new approach to painting, integrating the chromatic...
Vision-specific and psychosocial impacts of low vision among patients with low vision at the eastern regional Low Vision Centre
Vision-specific and psychosocial impacts of low vision among patients with low vision at the eastern regional Low Vision Centre
Purpose: To determine vision-specific and psychosocial implications of low vision among patients with low vision visiting the Low Vision Centre of the Eastern Regional Hospital in ...
COLOR ORCHESTRATION IN GAUGUIN'S PAINTINGS
COLOR ORCHESTRATION IN GAUGUIN'S PAINTINGS
Gauguin is an important painter who lived between 1848-1903 and became a pioneer for his contemporaries with his artistic stance. Although he started painting at a late age, he pro...
The Existential and Anthropological Semantics of the Word in Late 17th-Century Sermons
The Existential and Anthropological Semantics of the Word in Late 17th-Century Sermons
This article describes the semantics of the word concept, which is represented in late 17th-century homiletic texts. It is defined by the topics of sermons in terms of their ontolo...

Back to Top