Javascript must be enabled to continue!
Quintus Smyrnaeus, Greek epic poet, 2nd/3rd century CE
View through CrossRef
Quintus Smyrnaeus was a poet of the late 2nd or 3rd century ce, the author of the epic poem the Posthomerica (14 books, 8,786 lines), which covers the narrative lacuna between Homer’s Iliad and the Odyssey and thus treats stories that were originally covered by the Epic Cycle. The narrative technique is more episodic and linear than that of the Homeric epics, but it does not lack plot coherence and an overarching design. The language and style is strongly Homericising: vocabulary, syntax, and the use of formulaic phrases resemble that of the Homeric epics to a large degree. At the same time, Quintus’s language is also characterised by Alexandrian traits. In a wider cultural context, Quintus belongs to the same period as the Second Sophistic, and the Posthomerica can be understood as a response to revisionist tendencies against Homer. Scholars debate the question as to whether Quintus still had access to the Epic Cycle and whether he was influenced by Roman authors, especially by Vergil’s Aeneid.
Title: Quintus Smyrnaeus, Greek epic poet, 2nd/3rd century CE
Description:
Quintus Smyrnaeus was a poet of the late 2nd or 3rd century ce, the author of the epic poem the Posthomerica (14 books, 8,786 lines), which covers the narrative lacuna between Homer’s Iliad and the Odyssey and thus treats stories that were originally covered by the Epic Cycle.
The narrative technique is more episodic and linear than that of the Homeric epics, but it does not lack plot coherence and an overarching design.
The language and style is strongly Homericising: vocabulary, syntax, and the use of formulaic phrases resemble that of the Homeric epics to a large degree.
At the same time, Quintus’s language is also characterised by Alexandrian traits.
In a wider cultural context, Quintus belongs to the same period as the Second Sophistic, and the Posthomerica can be understood as a response to revisionist tendencies against Homer.
Scholars debate the question as to whether Quintus still had access to the Epic Cycle and whether he was influenced by Roman authors, especially by Vergil’s Aeneid.
Related Results
Classical Epic in the Works of J.R.R. Tolkien
Classical Epic in the Works of J.R.R. Tolkien
<p>The Lord of the Rings has often been described as an 'epic', and although Tolkien drew most famously on Northern mythology in his creation of Middle-earth much of his work...
The role of hyperbole in creating epic images of the Xinjian-Oirat version of Jangar
The role of hyperbole in creating epic images of the Xinjian-Oirat version of Jangar
Фольклор является выразителем эстетического сознания и народных идеалов, способы и формы выражения которых у каждого народа свои. Героический идеал определяет грандиозность и масшт...
The Epic Tradition
The Epic Tradition
Epic occupied a prominent position as the highest test of poetic genius, yet any poet imprudent enough to attempt an epic would be faced with a daunting challenge. For a Victorian ...
John G. Neihardt as Epic Poet of the West
John G. Neihardt as Epic Poet of the West
In examining the works of Neihardt, the writer has been impressed with the theme that apparently preoccupies this poet, namely, the epic qualities evident in the great mood of cour...
The Date of Cicero's Pro Archia
The Date of Cicero's Pro Archia
The Bobiensian scholiast tells us that the speech Pro Archia was delivered by Cicero in a court presided over by his brother Quintus as praetor, who held this office in 62 B.C. The...
‘Epic’ Performances
‘Epic’ Performances
This opening chapter explores what identifying ‘epic’ in performance entails. This is essential given Brecht’s avowedly anti-Aristotelian ‘Epic Theatre’, which is for the most part...
Thunder and Lament
Thunder and Lament
Lucan’s epic poem Pharsalia tells the story of the cataclysmic “end of Rome” through the victory of Julius Caesar and Caesarism in the civil wars of 49–48 BCE. This book argues tha...


