Javascript must be enabled to continue!
Assyriological Notes
View through CrossRef
The copy of a new trilingual inscription of Darius on page 434 is taken from a photograph of a thin sheet of gold now in the possession of Mr. T. C. Zorab of Hamadan, who has very kindly given me permission to publish it. The tablet measures about 9 inches square, and seems to be of the same type as the foundation inscriptions on metal tablets of Warad Sin of Larsa, of Simat-Inninni, the wife of Rim-Sin, king of Larsa, of Tukulti-Ninurta I, and of Sargon II, though there is nothing in the inscription to prove that the gold tablet was actually a foundation deposit. Restorations of the text have been made from a silver tablet, a photograph of which I have been able to use owing to the kindness of Dr. Campbell Thompson.
Title: Assyriological Notes
Description:
The copy of a new trilingual inscription of Darius on page 434 is taken from a photograph of a thin sheet of gold now in the possession of Mr.
T.
C.
Zorab of Hamadan, who has very kindly given me permission to publish it.
The tablet measures about 9 inches square, and seems to be of the same type as the foundation inscriptions on metal tablets of Warad Sin of Larsa, of Simat-Inninni, the wife of Rim-Sin, king of Larsa, of Tukulti-Ninurta I, and of Sargon II, though there is nothing in the inscription to prove that the gold tablet was actually a foundation deposit.
Restorations of the text have been made from a silver tablet, a photograph of which I have been able to use owing to the kindness of Dr.
Campbell Thompson.
Related Results
Benjamin Stillingfleet’s Notes on Paradise Lost, Lost and Found
Benjamin Stillingfleet’s Notes on Paradise Lost, Lost and Found
Abstract
This essay reveals that the annotated copy of Richard Bentley’s edition of Paradise Lost (1732) with MS notes attributed to Benjamin Stillingfleet (1702–177...
François Venant. Enige aanvullingen
François Venant. Enige aanvullingen
AbstractSince J. G. van Gelder was able to identify a number of works by François Venant (1591/92-1636) in 1938 (note 2) and Kurt Bauch and Astrid Tümpel added to these one paintin...
‘Hobhouse twice removed’: John Porter and the LSE years*
‘Hobhouse twice removed’: John Porter and the LSE years*
De l'automne 1946 au printemps 1949, John Porter recu sa seule formation professionelle en sociologie à l'écoale supérieure d'études commerciales et science politique de Londres (L...
'In de commode van Parijs tot Den Haag' Matthijs Horrix (1735 -1809), een meubelmaker in Den Haag in de tweede helft van de achttiende eeuw
'In de commode van Parijs tot Den Haag' Matthijs Horrix (1735 -1809), een meubelmaker in Den Haag in de tweede helft van de achttiende eeuw
AbstractSince 1988, when this journal carried an article on Andrics Bongen (ca. 1732-1792), probably the first cabinet-maker in Amsterdam to have made marquetry furniture in the Fr...
Ary Scheffer, een Nederlandse Fransman
Ary Scheffer, een Nederlandse Fransman
AbstractAry Scheffer (1795-1858) is so generally included in the French School (Note 2)- unsurprisingly, since his career was confined almost entirely to Paris - that the fact that...
Dostoevsky’s Calligraphy: Problems of Study
Dostoevsky’s Calligraphy: Problems of Study
The article is devoted to the problems of studying Dostoevsky’s calligraphy. The first paragraph discusses the historical and theoretical aspects of handwriting studies, as well as...
Expanding the Concept of Writing: Notes on Net Art, Digital Narrative and Viral Ethics
Expanding the Concept of Writing: Notes on Net Art, Digital Narrative and Viral Ethics
In these experimental notes, the artist reflects on his Net art trilogy, composed of GRAMMATRON, PHON:E:ME and his most recent art project, FILMTEXT, a digital narrative for cross-...