Pietà: the Virgin supporting the body of Christ, Mary Magdalene kissing his feet

The present canvas is signed and dated “Jusepe de Ribera español 1633” on the stone at the lower right corner, a formula used by the artist throughout the 1630s and to which on occ...

The present canvas is signed and dated “Jusepe de Ribera español 1633” on the stone at the lower right corner, a formula used by the artist throughout the 1630s and to which on occ...

This small panel of the Virgin and Child belonged to Frederick II of Prussia. It was in the Rohoncz collection by 1930, the date when it was included in the exhibition held at the ...

This pair of panels formed part of a large ensemble of which the other subjects are now unknown. Within the Museum’s collection they are among the most iconographically interesting...

This pair of panels formed part of a large ensemble of which the other subjects are now unknown. Within the Museum’s collection they are among the most iconographically interesting...

Agnolo Gaddi was one of the best representatives of the late Gothic style of the late 14th century in Florence. From a family of artists, he was the son of Taddeo Gaddi and brother...

The collection of Early Italian paintings in the Museo Thyssen-Bornemisza has two works by Bernardo Daddi: the present Virgin and Child and a Crucifixion. From their dimensions it ...

Little is known regarding the life of this Sienese painter, and once again Vasari must be used as a source of information. Ugolino may have trained in the family workshop as his fa...