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Marc Chagall

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This bibliography focuses on the artist Marc Chagall (b. 1887–d. 1985; born Moyshe Shagal), whose career at the center of modern art movements and institutions saw its evolution in several continents and spanned the twentieth century. Chagall was one of the most versatile artists of the modern period; he produced tapestries, paintings, stained glass, drawings, prints, sculpture, murals, and stage design and worked in many different genres, such as portraiture, landscape, and illustration. With his migrations from Russia to France to America and his many international commissions, Chagall is variously identified as a Russian painter, a Jewish painter, a French painter, and an international artist and is most adequately associated with multiple identities simultaneously. While Chagall has been studied through a variety of lenses, including his artistic influences (surrealism, cubism, primitivism), his major periods, and the ways in which his reputation rose and fell, Jewish studies scholars and art historians of Jewish art have found Chagall’s national cosmopolitanism a useful lens through which to study the relationship between Jews and modernity in the twentieth century. Like other Jewish artists who would enter the artistic culture in France, Chagall grew up in a Jewish town (Vitebsk) in the Pale of Settlement. The memory of his childhood home inspired much of his work throughout his career; therefore, many of the texts included in this bibliography give significant attention to the artist’s early life and the residual impact it had on his work and life. The sections of the bibliography approach the artist through categories that concern his cultural heritage as well as through categories that shed light on his artistic choices. The sections defined by geography (his early Russian period, French period, American period, and the period associated with his work in Israel) reflect the regionalism that has informed the vast majority of Chagall scholarship. There are also sections defined by themes and preoccupations relevant to his body of work, such as his attention to biblical themes and his recourse to both Jewish and Christian traditions. General information on particular 20th-century cultural and historical contexts that would have been influential on Chagall’s biography and artistic endeavors is obtainable through the various encyclopedias or survey texts: these range in topics from Russian history at the turn of the century, life in the Jewish ghettoes, traditions in Jewish art, the impact of the Holocaust, and the culture debates of Zionism.
Oxford University Press
Title: Marc Chagall
Description:
This bibliography focuses on the artist Marc Chagall (b.
 1887–d.
 1985; born Moyshe Shagal), whose career at the center of modern art movements and institutions saw its evolution in several continents and spanned the twentieth century.
Chagall was one of the most versatile artists of the modern period; he produced tapestries, paintings, stained glass, drawings, prints, sculpture, murals, and stage design and worked in many different genres, such as portraiture, landscape, and illustration.
With his migrations from Russia to France to America and his many international commissions, Chagall is variously identified as a Russian painter, a Jewish painter, a French painter, and an international artist and is most adequately associated with multiple identities simultaneously.
While Chagall has been studied through a variety of lenses, including his artistic influences (surrealism, cubism, primitivism), his major periods, and the ways in which his reputation rose and fell, Jewish studies scholars and art historians of Jewish art have found Chagall’s national cosmopolitanism a useful lens through which to study the relationship between Jews and modernity in the twentieth century.
Like other Jewish artists who would enter the artistic culture in France, Chagall grew up in a Jewish town (Vitebsk) in the Pale of Settlement.
The memory of his childhood home inspired much of his work throughout his career; therefore, many of the texts included in this bibliography give significant attention to the artist’s early life and the residual impact it had on his work and life.
The sections of the bibliography approach the artist through categories that concern his cultural heritage as well as through categories that shed light on his artistic choices.
The sections defined by geography (his early Russian period, French period, American period, and the period associated with his work in Israel) reflect the regionalism that has informed the vast majority of Chagall scholarship.
There are also sections defined by themes and preoccupations relevant to his body of work, such as his attention to biblical themes and his recourse to both Jewish and Christian traditions.
General information on particular 20th-century cultural and historical contexts that would have been influential on Chagall’s biography and artistic endeavors is obtainable through the various encyclopedias or survey texts: these range in topics from Russian history at the turn of the century, life in the Jewish ghettoes, traditions in Jewish art, the impact of the Holocaust, and the culture debates of Zionism.

Related Results

La Bible illustrée par Marc Chagall (1887-1985) : un dialogue interculturel et son évolution
La Bible illustrée par Marc Chagall (1887-1985) : un dialogue interculturel et son évolution
Cette thèse est consacrée à l’étude des illustrations bibliques de Marc Chagall (1887-1985). Dès le commencement de son travail pour la Bible (publiée en 1956 par Tériade) dans les...
MARC CHAGALL AND WHITE CRUCIFIXION
MARC CHAGALL AND WHITE CRUCIFIXION
In this research, the work named "White Crucifixion" (1887-1985) by Marc Chagall, who is considered one of the greatest painters of the 20th century as an example of academic exami...
Literature and Memory: The Correspondence between Marc Chagall and David Lazer
Literature and Memory: The Correspondence between Marc Chagall and David Lazer
Abstract The present article explores the decades-long correspondence between Marc Chagall and David Lazer. Born in Kraków, Lazer was the son of a Hebraist who edite...
RESILIENSI PEREMPUAN DIFABEL DALAM NOVEL UNE FILLE COMME ELLE KARYA MARC LEVY
RESILIENSI PEREMPUAN DIFABEL DALAM NOVEL UNE FILLE COMME ELLE KARYA MARC LEVY
This study aims to describe (1) the resilience aspect that exists in Chloé in the novel “Une Fille Comme Elle” by Marc Levy (2018); (2) the factors behind the resilience of the mai...
Christ in the Works of Two Jewish Artists: When Art is Interreligious Dialogue
Christ in the Works of Two Jewish Artists: When Art is Interreligious Dialogue
Painter Marc Chagall and sculptor Jacob Epstein, both of whom were from orthodox Jewish backgrounds, each created a number of works of Christ. Although in Epstein's case, and only ...
Literatura bíblica e a pintura de Marc Chagall (1885-1987): “Le sacrifice d’Isaac”
Literatura bíblica e a pintura de Marc Chagall (1885-1987): “Le sacrifice d’Isaac”
O presente artigo tem por objeto de análise a tela “Le sacrifice d’Isaac”, de Marc Chagall (1885-1987), que desde 1973 passou a pertencer à coleção permanente do Musée National Mes...
Joann Sfar Conjures Marc Chagall
Joann Sfar Conjures Marc Chagall
The five episodes of Joann Sfar's The Rabbi's Cat (2002-2006), recently published in English translation in two volumes (2007-2008), and particularly the latest instalment of the s...
Marc Chagall
Marc Chagall
Abstract Marc Chagall (1887-1985) is one of the most significant painters and graphic artists of the 20th century. His oil paintings and watercolors are among the pr...

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