Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Ludovico Ariosto

View through CrossRef
Ludovico Ariosto (b. 1474–d. 1533), whose work links 15th-century humanism with the vernacular classicism that burgeoned later in the 16th century, is a crucial figure in the development of Italian Renaissance literary culture. An accomplished Neo-Latin poet whose earliest letter is a request for books on Platonism from the Venetian publisher Aldus Manutius (1498), Ariosto used his considerable knowledge of classical Latin literature to forge a literary corpus that blends ancient literary models with medieval ones to create an impressive example of vernacular classicism. No less than his contemporary Michelangelo Buonarroti did for art, Ariosto took the literary revival of Antiquity to new heights. Accordingly, Ariosto can be seen as a forerunner of Miguel de Cervantes and other vernacular prose artists whose critical recapitulations of medieval chivalric fiction under the influence of classical works and classicizing authors like Ariosto eventually led to the birth of the novel. For modern readers who are accustomed to the conventions of modern fiction, at times Ariosto sounds strangely familiar, even postmodern.
Title: Ludovico Ariosto
Description:
Ludovico Ariosto (b.
 1474–d.
 1533), whose work links 15th-century humanism with the vernacular classicism that burgeoned later in the 16th century, is a crucial figure in the development of Italian Renaissance literary culture.
An accomplished Neo-Latin poet whose earliest letter is a request for books on Platonism from the Venetian publisher Aldus Manutius (1498), Ariosto used his considerable knowledge of classical Latin literature to forge a literary corpus that blends ancient literary models with medieval ones to create an impressive example of vernacular classicism.
No less than his contemporary Michelangelo Buonarroti did for art, Ariosto took the literary revival of Antiquity to new heights.
Accordingly, Ariosto can be seen as a forerunner of Miguel de Cervantes and other vernacular prose artists whose critical recapitulations of medieval chivalric fiction under the influence of classical works and classicizing authors like Ariosto eventually led to the birth of the novel.
For modern readers who are accustomed to the conventions of modern fiction, at times Ariosto sounds strangely familiar, even postmodern.

Related Results

Walter Scott and Ariosto’s Orlando Furioso
Walter Scott and Ariosto’s Orlando Furioso
Walter Scott proclaimed Ariosto his favourite Romance poet and Orlando Furioso his preferred epic. Byron subsequently called him the Ariosto of the North, and Ariosto the southern ...
Antonio Panizzi, Textual Editor of Ariosto
Antonio Panizzi, Textual Editor of Ariosto
Today Antonio Panizzi is remembered mostly for his edition of Orlando innamorato, which restored Boiardo’s original text after a period of oblivion lasting nearly 300 years. His in...
Entertainment and Irony: The Orlando Furioso from Modern to Postmodern
Entertainment and Irony: The Orlando Furioso from Modern to Postmodern
Less popular than in the eighteenth and nineteenth centuries, in the twentieth and twenty-first centuries Ariosto’s Orlando Furioso has however made an impact on Anglo-American fic...
Grace and Ingratitude
Grace and Ingratitude
This chapter examines Ludovico Ariosto's Orlando furioso (1532) as an outstanding example of literary grace. It follows the judgement of sixteenth-century literary commentator and ...
Titian's Ruggiero and Angelica: a tribute to Ludovico Ariosto
Titian's Ruggiero and Angelica: a tribute to Ludovico Ariosto
Titian's drawing (25 × 40 cm) in Musée Bonnat (Bayonne), showing a recumbent voluptuous nuda in a lush landscape, depicts an episode from Ariosto's Orlando Furioso (×, 94–107). It ...
"Il Negromante" di Ludovico Ariosto, tra modelli classici e suggestioni magico-astrologiche
"Il Negromante" di Ludovico Ariosto, tra modelli classici e suggestioni magico-astrologiche
Nonostante vi siano legami con la commedia classica, Ariosto nel Negromante inserisce numerosi elementi originali, a cominciare dal personaggio di Iachelino e dagli aspetti magico-...
A recepção de Ludovico Ariosto e Torquato Tasso na épica feminina portuguesa: as epopeias de Soror Maria de Mesquita Pimentel
A recepção de Ludovico Ariosto e Torquato Tasso na épica feminina portuguesa: as epopeias de Soror Maria de Mesquita Pimentel
O presente artigo tem como objetivo avaliar a dívida que a poesia épica conventual feminina portuguesa contrai em relação a poesia épica produzida em Itália, nomeadamente com os po...
The Orlando Furioso, Writing and the Construction of Meaning
The Orlando Furioso, Writing and the Construction of Meaning
Nicola Gardini explores the notion of semantic truth in Orlando Furioso. It demonstrates that writing works as the ideal space for the expression of truth. Yet, as is characteristi...

Back to Top