Lillian Smith

Lillian Smith (b. 1897–d. 1966) was born in Jasper, Florida, and grew up in a large and well-to-do southern family. In 1915, in the wake of the First World War, her father, Calvin Warren Smith, lost his financial standing and relocated his family to their summer home in North Georgia where he opened first a hotel and then a summer camp for girls, which Smith would later own and direct. It is somewhat surprising that no one has yet made a feature film based on Smith’s life. She is the Floridian teenager who found herself transplanted to a scenic but rural environment in the north Georgia mountains; the young woman who superintended elementary schools in this rural setting; the undergraduate student at both the local Piedmont College (1915–1916) and the Peabody Conservatory of Music in Baltimore (1917–1918, 1919–1922); the music teacher at a missionary school in Huzhow, China, an experience that solidified her social consciousness (1922–1925); the progressive director of Laurel Falls Camp for girls, many of whom came from the state’s wealthiest families (1925–1948); the publisher of South Today, a quarterly magazine and forum for liberal thought that she coedited for ten years with her life partner Paula Snelling (1936–1944); the controversial author of Strange Fruit, one of the best-selling novels of 1944; the self-analyst who published Killers of the Dream, a groundbreaking work of autobiography and cultural criticism that appeared first in 1949 and then again in an expanded edition in 1962; the friend and advisor to influential players on the national scene, including Eleanor Roosevelt and Martin Luther King, Jr.; and the combative social activist who withstood threats as she promoted her liberal vision through fiction, letters, essays, speeches, and pamphlets—including Now Is the Time (1954), her ardent defense of school desegregation—and creative works of self-writing and nonfiction prose, including The Journey (1954) and her final book, Our Faces, Our Words (1964). Smith was diagnosed with cancer in 1953, the disease that took her life in 1966 at the height of the civil rights movement that she, through her writings and activism, had helped to bring about and which she saw as evidence that human beings can in fact evolve. Smith turned a searchlight on the workings of white supremacy and blasted conservative ideologies of both race and gender. She has, since her death, emerged slowly but steadily as a pivotal figure in attempts to redraw the boundaries of the literary and cultural renaissance in the mid-20th century South.