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Snuff box with lovers discovered
View through Harvard Museums
This small box was likely intended to hold snuff. The exterior of the hinged lid is decorated with a scene of two young lovers embracing on a terrace. The foreground holds a sheathed dagger, a flintlock, and a tray with refreshments. Clean-shaven with light-colored eyes and dressed in a frock coat, the bare-footed male lover perhaps represents a European. The female lover is dressed in Qajar garments, including an aigrette in her hair, a jacket with turned-back cuffs, and a short flaring skirt of the type that became popular in Iran in the later 19th century, following Nasir al-Din Shah Qajar’s travels in Europe. The young woman glances rightward, in the direction of a frowning older man, presumably her husband. Sporting a prominent mustache and a Qajar hat, he leans into the terrace from outdoors. An elderly woman in headscarf appears at the left, partially hidden by two large cushions. Her finger is raised to her mouth in the conventional gesture of wonder or dismay. The vignette is framed by gold scrollwork and bordered by floating bouquets.
Department of Islamic & Later Indian Art
Kazem R. Kooros Houston Texas (by 1969) gift; to his son Saeed Kouros Houston Texas (by 1979) gift; to the Harvard Art Museums 2018.
Harvard Art Museums/Arthur M. Sackler Museum Gift of Saeed Kouros in honor of Kazem R. Kooros
Title: Snuff box with lovers discovered
Description:
This small box was likely intended to hold snuff.
The exterior of the hinged lid is decorated with a scene of two young lovers embracing on a terrace.
The foreground holds a sheathed dagger, a flintlock, and a tray with refreshments.
Clean-shaven with light-colored eyes and dressed in a frock coat, the bare-footed male lover perhaps represents a European.
The female lover is dressed in Qajar garments, including an aigrette in her hair, a jacket with turned-back cuffs, and a short flaring skirt of the type that became popular in Iran in the later 19th century, following Nasir al-Din Shah Qajar’s travels in Europe.
The young woman glances rightward, in the direction of a frowning older man, presumably her husband.
Sporting a prominent mustache and a Qajar hat, he leans into the terrace from outdoors.
An elderly woman in headscarf appears at the left, partially hidden by two large cushions.
Her finger is raised to her mouth in the conventional gesture of wonder or dismay.
The vignette is framed by gold scrollwork and bordered by floating bouquets.
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