Authorship, Inscription, and ‘The Great American Interviewer’

This chapter begins in the late nineteenth century and argues that the interviewer becomes a powerful foil for realist writers in this era of celebrity. The new figure of the interviewer raised difficult questions around processes of inscription, both mechanical and aesthetic, provoking anxieties around boundaries between public and private, bodies and machines, and about the credibility and authority of information communication via these networks. Drawing on the writings of Henry James and William Dean Howells, amongst others, this chapter demonstrates that the interviewer becomes bound up with debates about the limitations of the realist project and also comes to represent the excesses of optical scrutiny to which the realist author does not succumb. For Henry James in particular, interviewing becomes a crucial site for him to reflect on the embodied nature of communication in general.