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Nahan (Chinese, Luohan) Riding a Spotted White Deer in a Landscape While Assisted by an Elderly Male Attendant
View through Harvard Museums
This painting is mounted and framed as a discrete album leaf. Done in ink and colors on paper, the painting, which might originally have been mounted as a hanging scroll, presumably came from a larger set of multiples, each representing an arhat (Korean: nahan; Chinese: luohan) -- saintly, enlightened beings who protect the Buddhist faith. This painting depicts an arhat sitting on the back of a spotted white deer in the center of the composition. The arhat's grayish blue monk’s robe sports modest decoration painted in gold; his patchwork cape boasts squares of red fabric embellished with gold designs within black borders. At the right edge of the composition stands an attendant dressed in a red robe, a large hat made of spotted bamboo hangs from a string around the attendant's neck and rests at the middle of his back. The two figures appear in a confined landscape of the archaistic blue-and-green type. Sprigs of bamboo crown the tall rock that rises at the left edge, while a plant with orange blossoms grows at its base. A banana plant and stylized flowers decorate the faceted rock that borders the right edge. A rippling stream crosses the center of the composition, separating the even-toned green foreground from the distant background.
Department of Asian Art
John M. Lyden New York (1965-1987). [Kang Collection New York (by 1995)] sold; Ralph C Marcove New York (1995-2001) inherited; by Christina J. Marcove New York (2001-2015) gift; to the Harvard Art Museums.
Harvard Art Museums/Arthur M. Sackler Museum Gift of Christina Marcove and Laura Marcove Hoffman in honor of Robert D. Mowry
Title: Nahan (Chinese, Luohan) Riding a Spotted White Deer in a Landscape While Assisted by an Elderly Male Attendant
Description:
This painting is mounted and framed as a discrete album leaf.
Done in ink and colors on paper, the painting, which might originally have been mounted as a hanging scroll, presumably came from a larger set of multiples, each representing an arhat (Korean: nahan; Chinese: luohan) -- saintly, enlightened beings who protect the Buddhist faith.
This painting depicts an arhat sitting on the back of a spotted white deer in the center of the composition.
The arhat's grayish blue monk’s robe sports modest decoration painted in gold; his patchwork cape boasts squares of red fabric embellished with gold designs within black borders.
At the right edge of the composition stands an attendant dressed in a red robe, a large hat made of spotted bamboo hangs from a string around the attendant's neck and rests at the middle of his back.
The two figures appear in a confined landscape of the archaistic blue-and-green type.
Sprigs of bamboo crown the tall rock that rises at the left edge, while a plant with orange blossoms grows at its base.
A banana plant and stylized flowers decorate the faceted rock that borders the right edge.
A rippling stream crosses the center of the composition, separating the even-toned green foreground from the distant background.
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