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Theatre of varieties. France’s national dances, act 2, last scene: [estampe]/E. Roevens [sig.]; Emile Bayard [sig.]

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Rights: http://rightsstatements.org/vocab/NoC-OKLR/1.0/

National Library of France

Bayard, Émile (1837-1891). Model designer

Second millenium AD Second millenium AD, years 1001-2000 Time Chronological period 19-th 19th 19th century

France

Title: Theatre of varieties. France’s national dances, act 2, last scene: [estampe]/E. Roevens [sig.]; Emile Bayard [sig.]

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Bayard and the Lansquenet (vignette illustration, p. 312)

Wood engraving, William Gilmore Simms "The Life of Chevalier Bayard " New York 1847...

Bayard's First Specimen of Horsemanship (vignette illustration, p. 1)

Wood engraving, William Gilmore Simms "The Life of Chevalier Bayard: "The good knight " "Sans peur et sans reproche." New York 1847...

[Programas] [Material gráfico]

In the rectum and verse is printed the name of the organizing entity (societies, casinos, centers, circles), the type of act that is celebrated (charity dances, carnival dances, ba...

[Theatre costumes: dummy collection: forty-five costume models/by Paul Eugène Mesplès, Antonin-Marie Chatinique, Alexandre Collette et al.]

The theaters of Paris, the imperial Cirque, the view and scene of the castle of Vaux, 5th act of the Prisoner of the Bastille: [estampe]/Emile Bayard [sig.]

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mask

Function: Forty-five theatre masks form a part of the Vanadis Collection, most of them are meant for the no-theatre. The no-theatre is counted as one of the oldest now living thea...

Théâtre de la Gaîté. L'Escamoteur, acte deuxième : [estampe] / Emile Bayard [sig.]

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Theatre of varieties. France’s national dances, act 2, last scene: [estampe]/E. Roevens [sig.]; Emile Bayard [sig.]

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