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Contemporary Asian Art and Exhibitions
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‘The Only Thing “Womanish” is the Composer’: Music at Nineteenth-Century Exhibitions of Women’s Work
‘The Only Thing “Womanish” is the Composer’: Music at Nineteenth-Century Exhibitions of Women’s Work
Abstract
The 1880s saw a burgeoning of exhibitions of ‘Women’s Work’ across the world. These events focused on the artistic and industrial abilities of women, signif...
PATRIARCHAL IDEOLOGY IN WORKS OF VISUAL ART OF BALINESE CONTEMPORARY WOMEN ARTISTS
PATRIARCHAL IDEOLOGY IN WORKS OF VISUAL ART OF BALINESE CONTEMPORARY WOMEN ARTISTS
Human problems are faced faced by Indonesian contemporary visual artists. However, the most typical are the problems faced by contemporary women visual artists, including those fac...
Art, Science, Technology: Six Exhibitions 1966–1998
Art, Science, Technology: Six Exhibitions 1966–1998
From the late 1960s until the end of the twentieth century, the author organized, or helped organize, six exhibitions throughout Europe that saw artists integrate and alter the col...
EFFECTIVENESS OF USING INFORMATION AND COMMUNICATION TECHNOLOGY IN DEVELOPING MUSEUM EXHIBITIONS: THE CASE O F THE SHARJAH MUSEUMS
EFFECTIVENESS OF USING INFORMATION AND COMMUNICATION TECHNOLOGY IN DEVELOPING MUSEUM EXHIBITIONS: THE CASE O F THE SHARJAH MUSEUMS
Museums are increasingly embracing information and communication technology (ICT) to promote cultural tourism and to keep pace with changes in society. Cultural values, legacies, a...
“I Lived without Seeing These Art Works”: (Albanian) Socialist Realism and/against Contemporary Art
“I Lived without Seeing These Art Works”: (Albanian) Socialist Realism and/against Contemporary Art
Abstract
This article looks closely at the inclusion of Albanian Socialist Realism in one of renowned Swiss curator Harald Szeemann's last exhibitions, Blood & H...
Translation, transformation and refiguration: The significance of Jingdezhen and the materiality of porcelain in the work of two contemporary Chinese artists1
Translation, transformation and refiguration: The significance of Jingdezhen and the materiality of porcelain in the work of two contemporary Chinese artists1
Abstract In December 2016 a group of researchers led by Professor Jiang Jiehong travelled to Jingdezhen as fieldwork for the Everyday Legend research project, funded by the Leverhu...
A Documentation of Sound Art in Japan: Sound Garden (1987–1994) and the Sound Art Exhibitions of 1980s Japan
A Documentation of Sound Art in Japan: Sound Garden (1987–1994) and the Sound Art Exhibitions of 1980s Japan
This article examines the exhibition series Sound Garden (1987–1994) as a first step toward analyzing the sound-based artwork exhibitions of late-1980s Japan. The article begins wi...
The imagination of eco-disaster: Post-disaster rebuilding in Asian cinema
The imagination of eco-disaster: Post-disaster rebuilding in Asian cinema
Commercial films today often reduce representations of natural catastrophes to commodified spectacles that de-contextualize the subject matter. To contemporary film viewers, the ‘p...