Revisiting Demeter and Persephone Paper B - Revisiting Persephone: towards reconceptualising female subjectivity and erotics

In Paper B, we focus on the figure of Persephone in the myth, as the daughter, but also, as “the silent object of desire” of male imagination. We question whether Persephone’s forceful abduction is a representation of the emergence of female sexuality, as it has often been argued within psychoanalysis (Chodorow, 2012), or in fact, a symbolic representation of female subordination and objectification. We discuss a clinical vignette illustrating how a mother who is unable to face up to her own and her daughter’s vulnerability, unlike Demeter, can result in a daughter who is unable to protect herself from violation, and who cannot find her way up from the underworld so to speak. We then discuss the film, The Handmaiden, where the question of mother–daughter separation is a central theme. We argue that a strong mother–daughter bond is in fact central to the ability of women to find a healthy place for sexual desire and a close relationship in adult life, and that the nature of the mother–daughter bond is such that both mother and daughter seek out each other’s love and care throughout the lifespan.