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Waltz with Bashir’s Reception in Israel and Abroad
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This chapter looks at primary sources, such as newspapers and magazines, to discuss the reception of Ari Folman's Waltz with Bashir. It considers some of the issues associated with world cinema and compares Folman's first three films: Saint Clara, Made in Israel and Waltz with Bashir. It also examines what stood out in Waltz with Bashir that made it so successful. The chapter discusses the media reception of Waltz with Bashir that was fairly emotional and highlights how the film ruffled many feathers and pushed several buttons. It mentions critics that either gushed about Folman's bravery or were indignant about his hypocrisy.
Title: Waltz with Bashir’s Reception in Israel and Abroad
Description:
This chapter looks at primary sources, such as newspapers and magazines, to discuss the reception of Ari Folman's Waltz with Bashir.
It considers some of the issues associated with world cinema and compares Folman's first three films: Saint Clara, Made in Israel and Waltz with Bashir.
It also examines what stood out in Waltz with Bashir that made it so successful.
The chapter discusses the media reception of Waltz with Bashir that was fairly emotional and highlights how the film ruffled many feathers and pushed several buttons.
It mentions critics that either gushed about Folman's bravery or were indignant about his hypocrisy.
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