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The Fourth International Milton Symposium

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Matthew Allen. “‘Entertaining the Irksome Hours’: Paradise Lost 2.521–76 as the Fallen Counterpart of Milton's Curriculum in Of Education.”Peter Auksi. “‘Considerate Building’: The Scriptural Roots of Areopagitica.”Andrew T. Barnaby. “‘Reason is but choosing’: Moral Agency and the Call to Discipleship in Milton's Readie and Easie Way.”Nancy K. Barnard. “‘In Mind Prepared’: Proclaiming the Kingdom of God in Paradise Lost.”R. D. Bedford. “Irony in L ‘Allegro and Il Penseroso.”Tony Bellette. “Milton and the Baroque: A Reassessment.”Joan Heiges Blythe. “Sex‐Marked Direct Objects of Desire in Paradise Lost.”David Boocker. “Milton at Vallombrosa.”James B. Brophy. “Blake's Reinterpretation of Comus: Charity Regained.”Lana Cable. “The Politics of Decorum in Protestant Satire and Milton's Polemics.”Douglas Chambers. “Improved by Tract of Time: Art's Synopticon in Paradise Lost 12.”Alexander Chameyev and Nina Diakonova. “Byron's Manfred and Romantic Milton Worship.”Annemarie Christy. “Satan, Sin, and Death: A Paradigm of the Incestuous Family.”Thomas N. Corns, Lou Burnard, and Roy Flannagan. “Electronic Miltons, Past, Present, and To Come.”Denise Cuthbert. “Milton, Marvell and Queen Christina.”R. W. Desai. “The Human Norm in Paradise Lost: Thus measuring things in Heav‘n by things on Earth.’”Jackie Di Salvo. “Manly Reformation in Samson Agonistes.”Martin K. Doudna. “‘In Our Image’: Father and Son in Paradise Lost.”Charles W. Durham. “Satan and the Hierarchy of Hell in Paradise Lost.”Angela Esterhammer. “Words, Worlds, and Speech Acts: A Miltonic Poetics of Creation.”J. Martin Evans. “Milton's Imperial Epic.”Robert T. Fallon. “The ‘Mole’ and the ‘Lanthorn’: Milton's State Letter to Tuscany.”Ida Fasel. “The Dialectic of the Oxymoron in Paradise Lost.”Noam Flinker. “Pagan Holiday and National Conflict: A Philistine Reading of Samson Agonistes.”Claire Fowler. “The Commonwealth ‘miscalled’: Iconoclasm and Mythography in Eikonoklastes.”Coburn Freer. “A Victorian Poetic Critique of Milton.”Donald M. Friedman. “‘Sex’ in Paradise Lost.”Bryan N. S. Gooch. “Handel's L'Allegro, il Penseroso, ed il Moderato: A Reassessment.”Achsah Guibbory. “Idolatrous Images, Imitation, and True Creation in Milton's Eikonoklastes.”John K. Hale. “The Pre‐Criticism of Milton's Latin Verse, Illustrated from the Ode Ad Joannem Rousium.”R. F. Hall. “Pronouns, Tenses, and Fluidity in the Nativity Ode.”Gary D. Hamilton. “Paradise Regained and the Private Houses.”Philip Hardie. “Milton's Reading of Lucretius and the Reader in Lucretius.”J. P. Hardy. “The Tempter Foiled.”Dayton Haskin. “Choosing the Better Part with Mary and with Ruth.”Burton Hatlen. “When God Smiles: Paradise Lost 8.311–559.”Wyman H. Herendeen. “Milton's Accedence Commenc't Grammar and the Deconstruction of Grammatical Tyranny.”T. H. Howard‐Hill. “Milton and Contemporary Theatre: An Investigation of Experience and Influence.”Keith N. Hull. “Rhyme and Disorder in Samson Agonistes.”Lee M. Johnson. “Language and the Illusion of Innocence in Paradise Lost.”Motohiro Kisaichi. “Comus and the Proserpina Myth.”Thomas A. Langford. “‘That one talent which is death to hide’: The Poet as Teacher.”John Leonard. “Milton's Vow of Celibacy: A Reconsideration of the Evidence.”Walter S. H. Lim. “What Happens When God Doesn't Speak in Samson Agonistes?”Peter Lindenbaum. “The Poet in the Marketplace: Milton and Samuel Simmons.”David Loewenstein. “Paradise Lost and the Politics of Rebellion.”Bei‐Yei Loh. “Lycidas as the Manifesto of a Divinely Dedicated Scholar‐Poet and ‘Church‐outed’ Reformer.”Kristin Pruitt McColgan. “Abundant Gifts: Hierarchy and Reciprocity in Paradise Lost.”Donald Peter McDonough. “The Iconography of Milton's expulsion Scene.”Polly Mander. “The Charms of Milton's Ludlow Masque.”Catherine Gimelli Martin. “The ‘Artifice of Eternity’: The Return(s) of a Miltonic Metaphor.”Christopher Martin. “Contending with the Cyclops: Nobodies and Somebodies in the Defensio Secunda.”Michael A. Mikolajczak. “Milton's ‘Reformed’ Heaven.”Janel Mueller. “Dateline: London, May 1641. Byline: John Milton, English Republican.”Brian J. Opie. “Urania Revisited.”Ted‐Larry Pebworth. “‘Conversation with His Like’: Masculine Friendship in Paradise Lost.”G. Nageswara Rao. “Christ as ‘Poornapragna.’”David Reid. “Free Obedience and Freedom from Constraint in Paradise Lost.”Stella P. Revard. “Alpheus, Arethusa, and the Pindaric Pursuit in Lycidas.”Lawrence F. Rhu. “Milton's Change of Note: Italian Precedents for Tragedy in Eden.”David Robertson. “Soliloquy and Self‐Creation in Paradise Lost.”John P. Rumrich. “Milton Criticism and the Matter of Chaos.”Peggy Samuels. “Samson Agonistes and English Renaissance Closet Drama.”Malabika Sarkar. “Milton's Satan and the Renaissance Magus‐Astronomer.”Michael C. Schoenfeldt. “‘So Absolute She Seems’: Authority and Desire in Paradise Lost.”Paul R. Sellin. “Alexander Morus in Court: Some Insight into Milton's Polemics in Pro Se Defensio.”Hideyuki Shitaka. “The Aeneid and the Bible in Paradise Lost.”Louise Simons. “The Prairie as Eden: The Miltonic Cooper.”Ken Simpson. “The Discipline of the Word in Milton's Anti‐Episcopal Tracts.”Michael R. G. Spiller. “Directing the Audience in Samson Agonistes.”Claude J. Summers. “The (Homo)Sexual Temptation of Paradise Regained.”Margo Swiss. “Satan's Obduracy in Paradise Lost.”John S. Tanner. “Adam's Doom: Knowing Good by Evil in Milton's Eden.”Roberta White. “Milton's Presence in the Poetry of Nemerov and Berryman.”Michael Wilding. “‘Their Sex Not Equal Seem'd’: Equality in Paradise Lost.”Susanne Woods. “Milton's Poetic Authority and Early Protestant Women Poets.”
Title: The Fourth International Milton Symposium
Description:
Matthew Allen.
“‘Entertaining the Irksome Hours’: Paradise Lost 2.
521–76 as the Fallen Counterpart of Milton's Curriculum in Of Education.
”Peter Auksi.
“‘Considerate Building’: The Scriptural Roots of Areopagitica.
”Andrew T.
Barnaby.
“‘Reason is but choosing’: Moral Agency and the Call to Discipleship in Milton's Readie and Easie Way.
”Nancy K.
Barnard.
“‘In Mind Prepared’: Proclaiming the Kingdom of God in Paradise Lost.
”R.
D.
Bedford.
“Irony in L ‘Allegro and Il Penseroso.
”Tony Bellette.
“Milton and the Baroque: A Reassessment.
”Joan Heiges Blythe.
“Sex‐Marked Direct Objects of Desire in Paradise Lost.
”David Boocker.
“Milton at Vallombrosa.
”James B.
Brophy.
“Blake's Reinterpretation of Comus: Charity Regained.
”Lana Cable.
“The Politics of Decorum in Protestant Satire and Milton's Polemics.
”Douglas Chambers.
“Improved by Tract of Time: Art's Synopticon in Paradise Lost 12.
”Alexander Chameyev and Nina Diakonova.
“Byron's Manfred and Romantic Milton Worship.
”Annemarie Christy.
“Satan, Sin, and Death: A Paradigm of the Incestuous Family.
”Thomas N.
Corns, Lou Burnard, and Roy Flannagan.
“Electronic Miltons, Past, Present, and To Come.
”Denise Cuthbert.
“Milton, Marvell and Queen Christina.
”R.
W.
Desai.
“The Human Norm in Paradise Lost: Thus measuring things in Heav‘n by things on Earth.
’”Jackie Di Salvo.
“Manly Reformation in Samson Agonistes.
”Martin K.
Doudna.
“‘In Our Image’: Father and Son in Paradise Lost.
”Charles W.
Durham.
“Satan and the Hierarchy of Hell in Paradise Lost.
”Angela Esterhammer.
“Words, Worlds, and Speech Acts: A Miltonic Poetics of Creation.
”J.
Martin Evans.
“Milton's Imperial Epic.
”Robert T.
Fallon.
“The ‘Mole’ and the ‘Lanthorn’: Milton's State Letter to Tuscany.
”Ida Fasel.
“The Dialectic of the Oxymoron in Paradise Lost.
”Noam Flinker.
“Pagan Holiday and National Conflict: A Philistine Reading of Samson Agonistes.
”Claire Fowler.
“The Commonwealth ‘miscalled’: Iconoclasm and Mythography in Eikonoklastes.
”Coburn Freer.
“A Victorian Poetic Critique of Milton.
”Donald M.
Friedman.
“‘Sex’ in Paradise Lost.
”Bryan N.
S.
Gooch.
“Handel's L'Allegro, il Penseroso, ed il Moderato: A Reassessment.
”Achsah Guibbory.
“Idolatrous Images, Imitation, and True Creation in Milton's Eikonoklastes.
”John K.
Hale.
“The Pre‐Criticism of Milton's Latin Verse, Illustrated from the Ode Ad Joannem Rousium.
”R.
F.
Hall.
“Pronouns, Tenses, and Fluidity in the Nativity Ode.
”Gary D.
Hamilton.
“Paradise Regained and the Private Houses.
”Philip Hardie.
“Milton's Reading of Lucretius and the Reader in Lucretius.
”J.
P.
Hardy.
“The Tempter Foiled.
”Dayton Haskin.
“Choosing the Better Part with Mary and with Ruth.
”Burton Hatlen.
“When God Smiles: Paradise Lost 8.
311–559.
”Wyman H.
Herendeen.
“Milton's Accedence Commenc't Grammar and the Deconstruction of Grammatical Tyranny.
”T.
H.
Howard‐Hill.
“Milton and Contemporary Theatre: An Investigation of Experience and Influence.
”Keith N.
Hull.
“Rhyme and Disorder in Samson Agonistes.
”Lee M.
Johnson.
“Language and the Illusion of Innocence in Paradise Lost.
”Motohiro Kisaichi.
“Comus and the Proserpina Myth.
”Thomas A.
Langford.
“‘That one talent which is death to hide’: The Poet as Teacher.
”John Leonard.
“Milton's Vow of Celibacy: A Reconsideration of the Evidence.
”Walter S.
H.
Lim.
“What Happens When God Doesn't Speak in Samson Agonistes?”Peter Lindenbaum.
“The Poet in the Marketplace: Milton and Samuel Simmons.
”David Loewenstein.
“Paradise Lost and the Politics of Rebellion.
”Bei‐Yei Loh.
“Lycidas as the Manifesto of a Divinely Dedicated Scholar‐Poet and ‘Church‐outed’ Reformer.
”Kristin Pruitt McColgan.
“Abundant Gifts: Hierarchy and Reciprocity in Paradise Lost.
”Donald Peter McDonough.
“The Iconography of Milton's expulsion Scene.
”Polly Mander.
“The Charms of Milton's Ludlow Masque.
”Catherine Gimelli Martin.
“The ‘Artifice of Eternity’: The Return(s) of a Miltonic Metaphor.
”Christopher Martin.
“Contending with the Cyclops: Nobodies and Somebodies in the Defensio Secunda.
”Michael A.
Mikolajczak.
“Milton's ‘Reformed’ Heaven.
”Janel Mueller.
“Dateline: London, May 1641.
Byline: John Milton, English Republican.
”Brian J.
Opie.
“Urania Revisited.
”Ted‐Larry Pebworth.
“‘Conversation with His Like’: Masculine Friendship in Paradise Lost.
”G.
Nageswara Rao.
“Christ as ‘Poornapragna.
’”David Reid.
“Free Obedience and Freedom from Constraint in Paradise Lost.
”Stella P.
Revard.
“Alpheus, Arethusa, and the Pindaric Pursuit in Lycidas.
”Lawrence F.
Rhu.
“Milton's Change of Note: Italian Precedents for Tragedy in Eden.
”David Robertson.
“Soliloquy and Self‐Creation in Paradise Lost.
”John P.
Rumrich.
“Milton Criticism and the Matter of Chaos.
”Peggy Samuels.
“Samson Agonistes and English Renaissance Closet Drama.
”Malabika Sarkar.
“Milton's Satan and the Renaissance Magus‐Astronomer.
”Michael C.
Schoenfeldt.
“‘So Absolute She Seems’: Authority and Desire in Paradise Lost.
”Paul R.
Sellin.
“Alexander Morus in Court: Some Insight into Milton's Polemics in Pro Se Defensio.
”Hideyuki Shitaka.
“The Aeneid and the Bible in Paradise Lost.
”Louise Simons.
“The Prairie as Eden: The Miltonic Cooper.
”Ken Simpson.
“The Discipline of the Word in Milton's Anti‐Episcopal Tracts.
”Michael R.
G.
Spiller.
“Directing the Audience in Samson Agonistes.
”Claude J.
Summers.
“The (Homo)Sexual Temptation of Paradise Regained.
”Margo Swiss.
“Satan's Obduracy in Paradise Lost.
”John S.
Tanner.
“Adam's Doom: Knowing Good by Evil in Milton's Eden.
”Roberta White.
“Milton's Presence in the Poetry of Nemerov and Berryman.
”Michael Wilding.
“‘Their Sex Not Equal Seem'd’: Equality in Paradise Lost.
”Susanne Woods.
“Milton's Poetic Authority and Early Protestant Women Poets.
”.

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