Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Octagonal Headrest with Lotus and Sagittarius Decoration

View through Harvard Museums
This ceramic pillow, or headrest, has eight sides; six of the sides are of roughly equal length, but the front and back sides are slightly longer and lightly curved, imparting an overall bean shape to the piece. The subtly concave platform top, which served as the headrest, is boldly painted in dark brown slip with a loosely tied spray of lotus, sagittaria, and pond grass; the painting is further highlighted with lightly incised and combed details. A border of alternating thick and narrow lines encloses the scene and sets off the pillow's form, distinguishing the sides from the platform top. The steep, facetted sides are embellished with quickly brushed foliate motifs in the same dark brown slip as the top. Likely made at the Bacun kilns, in Yuxian county, Henan province, this octagonal headrest dates to the late twelfth or early thirteenth century. The technique of manufacture immediately associates this stunning piece with the Cizhou family of kilns, which are best-remembered for ceramics with underglaze decoration painted in brown or black slip on a white slip ground atop a light gray stoneware body. In this instance, the octagonal shape points toward Yuxian as the general area of origin, just as the linear borders, the frieze of stylized foliage around the sides, the closely focused floral design on the main face, the adherence of all the representational elements to the picture plane (without spatial recession), and the creation of pictorial details by incising through the dark slip to reveal the underlying white slip all point to the Bacun kilns as the specific place of manufacture. Many headrests survive from the Bacun kilns, just as numerous extant Cizhou pots (from various Cizhou kilns) sport decoration of lotus leaf, lotus blossom, and sagittarius sprig. This headrest is special, however, for its floral spray, which is tied with a ribbon whose gracefully fluttering ends complement the more rigid plant stalks, foreshadows the elaborate, fully developed lotus bouquets, also bound with ribbons, that sometimes emblazon large blue-and-white plates made during the Xuande reign (1426-1435) of the Ming dynasty (1368-1644). This headrest thus reveals that some of the quintessential designs encountered on Ming-dynasty, imperial porcelains made at Jingdezhen, in Jiangxi province, were conceived and pioneered several centuries earlier by humble potters working at the distinctly non-royal, non-aristocratic Cizhou kilns. An old, Chinese, wooden storage box accompanies this piece. Several museum loan stickers appear on the base of the headrest.
Department of Asian Art J.J. Lally & Co. New York sold March-April 2009 Marvin and Pat Gordon Collection San Francisco owner 1985-2009 Christie's New York sold June 1985 Rudolf Schaeffer (1886-1988) San Francisco owner 1950s-1985 Samuel T. Peters (1854-1921) New York owner before 1950s Harvard Art Museums/Arthur M. Sackler Museum Purchase through the generosity of Mariot Fraser Solomon and of David M. Leventhal
image-zoom
Title: Octagonal Headrest with Lotus and Sagittarius Decoration
Description:
This ceramic pillow, or headrest, has eight sides; six of the sides are of roughly equal length, but the front and back sides are slightly longer and lightly curved, imparting an overall bean shape to the piece.
The subtly concave platform top, which served as the headrest, is boldly painted in dark brown slip with a loosely tied spray of lotus, sagittaria, and pond grass; the painting is further highlighted with lightly incised and combed details.
A border of alternating thick and narrow lines encloses the scene and sets off the pillow's form, distinguishing the sides from the platform top.
The steep, facetted sides are embellished with quickly brushed foliate motifs in the same dark brown slip as the top.
Likely made at the Bacun kilns, in Yuxian county, Henan province, this octagonal headrest dates to the late twelfth or early thirteenth century.
The technique of manufacture immediately associates this stunning piece with the Cizhou family of kilns, which are best-remembered for ceramics with underglaze decoration painted in brown or black slip on a white slip ground atop a light gray stoneware body.
In this instance, the octagonal shape points toward Yuxian as the general area of origin, just as the linear borders, the frieze of stylized foliage around the sides, the closely focused floral design on the main face, the adherence of all the representational elements to the picture plane (without spatial recession), and the creation of pictorial details by incising through the dark slip to reveal the underlying white slip all point to the Bacun kilns as the specific place of manufacture.
Many headrests survive from the Bacun kilns, just as numerous extant Cizhou pots (from various Cizhou kilns) sport decoration of lotus leaf, lotus blossom, and sagittarius sprig.
This headrest is special, however, for its floral spray, which is tied with a ribbon whose gracefully fluttering ends complement the more rigid plant stalks, foreshadows the elaborate, fully developed lotus bouquets, also bound with ribbons, that sometimes emblazon large blue-and-white plates made during the Xuande reign (1426-1435) of the Ming dynasty (1368-1644).
This headrest thus reveals that some of the quintessential designs encountered on Ming-dynasty, imperial porcelains made at Jingdezhen, in Jiangxi province, were conceived and pioneered several centuries earlier by humble potters working at the distinctly non-royal, non-aristocratic Cizhou kilns.
An old, Chinese, wooden storage box accompanies this piece.
Several museum loan stickers appear on the base of the headrest.

Related Results

Lotuses and Birds
Lotuses and Birds
Painted with ink and colored pigments on paper, this magnificent eight-panel folding screen boasts a continuous scene of a lotus pond with tall, luxuriant stalks of lotus flowers, ...
Lobed Circular Mirror with Decoration of Two Phoenixes and Two Lotus Plants
Lobed Circular Mirror with Decoration of Two Phoenixes and Two Lotus Plants
This eight-lobed, circular mirror has a narrow raised outer rim that is completely unembellished. This gives way to a wide inner decorative border that's slightly sunken and embel...
Kingfisher Over a Lotus Pond
Kingfisher Over a Lotus Pond
Ren Yi (also known by his sobriquet Bonian) was born in Shangyin (modern Shaoxing), Zhejiang province. The son of a portrait painter, Ren Yi learned to paint at a young age and in ...
"The Former Deeds of Bodhisattva Medicine King," Chapter 23 of the Lotus Sutra (Hokekyō)
"The Former Deeds of Bodhisattva Medicine King," Chapter 23 of the Lotus Sutra (Hokekyō)
Of the numerous sutras (Buddhist texts) brought to Japan, the Lotus Sutra (Japanese: Myōhō-renge-kyō; Sanskrit: Saddharma-pundarika sutra) became the most popular and influential. ...
Standing Buddha Shakyamuni in Varada-mudra
Standing Buddha Shakyamuni in Varada-mudra
This sculpture depicts a Buddha gracefully standing on a shallow lotus pedestal, the Buddha likely the Buddha Sakyamuni (the Historical Buddha) though possibly the Buddha Dipankara...
Teapot, Stand and Lamp
Teapot, Stand and Lamp
The teapot of raised octagonal baluster form on plain octagonal rim foot, with part-panelled swan’s neck spout and wood loop handle; the hinged domed cover with panelled baluster f...

Back to Top